Subject: Parker, K.J. Inside Man [Tor.com Publishing, 2021]
Genre: Fantasy
An anonymous representative of the Devil, once a high-ranking Duke of Hell and now a committed underachiever, has spent the last forever of an eternity leading a perfectly tedious existence distracting monks from their liturgical devotions. It’s interminable, but he prefers it that way, now that he’s been officially designated by Downstairs as “fragile.” No, he won’t elaborate.
All that changes when he finds himself ensnared, along with a sadistic exorcist, in a labyrinthine plot to subvert the very nature of Good and Evil. In such a circumstance, sympathy for the Devil is practically inevitable. (From Goodreads)
Inside
Man is best experienced
having read Prosper’s Demon first, but it’s by no means a requirement.
The story lays the groundwork for the worldbuilding quite clearly, but there
are some character interactions that are augmented by prior exposure to the
series. The banter between the demon protagonist and their
nemesis-exorcist-turned-accomplice is vibrant and engaging—even more so
than in Prosper’s Demon. And the workings of the demon world had a
Pratchett-esque feel to it that swept me up in a world of witticisms and
boundless creativity. Whether it’s their unique bureaucracy, history, or machinations,
I was always gleefully enraptured. Prosper’s Demon might be the superior
story in terms of dramatics, but I found Inside Man to improve the
series on what was already a strong sense of humor.
My one
complaint is that the story didn’t fully possess me until about a third into
the novella. It covers a lot of groundwork at first, and looking back, I’m not
quite sure all of it was necessary. But once the story finds greater focus, it
moves with zippy and twisty momentum. It’s impressive and baffling how many
intelligent turns the story takes while never coming close to muddling itself
into convolution. And those countless turns in the latter half of the story
always informed the world and themes. The themes on predeterminism, dissenting when
feeling voiceless, and faith, are able to bounce between the narrative of the
mundane and demon world, encompassing settings that are dichotomous in nature
into thematic unity.
Inside
Man lives up to Prosper’s
Demon quality. It ends in a fashion that could be a fitting conclusion to
the story but also leaves room for exploration. If K.J. Parker writes another
sequel, I have no doubt it’ll at least appear thoroughly planned out. It might be
blind faith in an entity I’ve never met, but he’s deserved it.
Score:
8/10
POSTED BY: Sean Dowie - Screenwriter, editor, lover of all books that make him nod his head and say, "Neat!”