Anime Review: My Happy Marriage — Special Episode Trilogy

The Cinderella-inspired historical fantasy chases its long-awaited happy ending

For fans of romance, the first season of My Happy Marriage offered a satisfying and entertaining historical fantasy with elements of Cinderella. In a magic-based society, abused and magic-less Miyo is forced into an engagement with a cruel military magic wielder. After a strong first season, My Happy Marriage returned with a slower-paced second season of both magical and everyday adventure. This year offered a three-episode special to round out its run. As the title implies, the show is primarily a romantic adventure. It begins in its first season with a classic Cinderella premise that works well and delivers both great romantic elements and genuinely engaging fantasy adventure. But the later offerings struggle to rise to the strong start.

Season 1

The story is set in a fantasy version of the early 20th century where specially trained, magically talented military units fight malevolent supernatural monsters known as grotesqueries. Kind-hearted Miyo is abused by her step-mother and half-sister and ignored by her scheming father. In a world where elite families are blessed with magical powers, Miyo seems to have none. As a result of this, she is reduced to being a servant in her own home after the death of her mother. When her father sells her off to a cruel military leader, she accepts her fate with humility knowing she has no other options. However, she discovers that her betrothed, Kiyoka Kudō, is different from his reputation. And she discovers that she has secretly inherited her mother’s psychic powers. Miyo is supported by Koji, her kind childhood friend and “boy next-door” neighbor, and her sister-in-law to be, Hazuki, a modern, bold divorced woman. Grumpy hero Kiyoka is supported by his cheerful lieutenant Godo and his easy-going, curse-banishing friend Kazushi. Later, Miyo’s complicated cousin Arata appears as an antagonist/ally who tries to control/manipulate Miyo’s newfound powers. The show is filled with adventures, friendship, and lots of heroic romance. Together, Miyo and Kiyoka learn to trust each other and use their powers to protect each other and their loved ones. The setting is a fun mix of modern and historical fantasy, with Kiyoka driving an automobile to work and then using magic to fight supernatural monsters in the retro 20th-century setting. Season 1 is a satisfying complete story that will leave even non-anime traditional romance fans happy.

Season 2

The second season of My Happy Marriage arrived with high expectations. Unfortunately, the storytelling was not as strong, and the character development went from inspiring to repetitive. This season focuses on an insurgent group trying to overthrow the government and wreak havoc by releasing monsters and monstrous powers in the community. The primary villain has a connection to Miyo’s maternal Usuba family, so Miyo is placed in protective custody. In the first season, Miyo is humble and self-effacing as a direct result of her childhood trauma and the relentless abuse she faces. Despite this, she has several moments where she shows genuine strength, determination, and defiance, even in the face of cruelty and danger. However, in this season Miyo’s character flatlines to consistent and tiresome timidity that starts to wear thin. Although she is discovered to be the long-awaited Maiden of Dream Sight, Miyo is unable to fully use her powers despite tutelage from her maternal family. Miyo stays in damsel-in-distress mode for most of the season, and almost all the heroic action is done by men. Fortunately, there are other strong female characters, including Kiyoka’s bold yet kind sister Hazuki, and the talented military soldier Kaoruko.

2026 special episodes/wedding trilogy

Despite the show’s title, the protagonists, Miyo and Kiyoka, are not actually married in the first two seasons. They are engaged and living in the same household, but in separate rooms. The impending marriage always hovers in the background of the monster-fighting drama and the adventures in slice-of-life domesticity and family politics. To move the narrative closer to its namesake, three episodes focused on the long-awaited wedding ceremony were added this year. While it’s fun to finally see Miyo in her wedding attire, there are still lots of obstacles in the way of the couple’s happiness. The most annoying is Miyo’s exhausting shyness and timidity. After so many adventures, it seems unbelievable that Miyo is still intensely timid about things such as speaking Kiyoka’s first name or letting his hand touch hers. Especially since these things have already happened in the past. The regression in their relationship feels artificial and incomprehensible even in their uptight turn-of-the-century setting. In addition, the final villain is an abused housewife who becomes entangled with an evil spirit. She uses the spirit’s magic to disable her abusive mother-in-law (but not her abusive husband) and hurts others with it, including Miyo. This storyline was particularly strange, since the woman is abused by her husband and repeatedly seeks help but is rebuffed by everyone, including Kiyoka. Even Miyo doesn’t really speak up for her despite her own exposure to abuse. It was an odd choice for a villain setup, but it would have been a great opportunity for Miyo to shine in wisdom, heroism, or compassion. However, she retains her wide-eyed damsel-in-distress status for most of the episodes. The only quirky moment is when a curse put on Miyo makes her tell off Kiyoka. But despite the highly out-of-character behavior, neither of the magic experts, Kiyoka or Miyo, notice she is under a spell.

Overall, the wedding trilogy episodes of My Happy Marriage offered a sweet and visually appealing closure to Kiyoka and Miyo’s adventures. It also gave us a nice reunion of many of the appealing side characters. However, while Kiyoka matures over time, Miyo’s flat development was a disappointment after such a promising opening season. Many anime series have an archetypal sweet, demure, pure-hearted heroine, often as a foil to another bold, bossy, powerhouse heroine. Notable examples of this archetype are Hinata in Naruto, Orihime in Bleach, and Tohru in Fruits Basket. Miyo initially seems to be a similar type of character, one who is externally gentle but internally strong. However, the second season and the wedding trilogy regress her character development. Her meekness moves from charming to worrisome. While there are many valid reasons why this might truly happen to a person with her background, the series doesn’t address them. If her personality is an intentional choice, then the show had a missed opportunity to add some authentic context regarding trauma-based responses. If, on the other hand, there was simply a passive narrative choice to keep her as a damsel in distress, then the second season and the final wedding arc did Miyo a disservice after such a promising start.

Nerd Coefficient: 7/10.

Highlights:

• Strong first season
• Flat character arc
• Fun magic system and enjoyable supporting characters

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime Review: Kaiju Girl Caramelise

A cynical, thoughtful, funny twist on the usual coming-of-age rom-com anime

As the world around us feels more stressful, the proliferation of anime rom-coms offer a sweet retreat, and an alternative to the (often equally cathartic) intense or violent adventure stories. With charming characters, poignant moments, the overcoming of insecurities or childhood traumas, and slice-of-life coziness, all of these tropes can be a perfect balm to a stressful day. When you’re in the mood for that kind of vibe, I highly recommend a few of my favorites: The Fragrant Flower Blooms With Dignity, You and I are Polar Opposites, the very underrated and funny Tamon’s B-Side, and the ultimate evening chill show Smoking Behind the Supermarket With You. However, my latest guilty pleasure is a bit of a departure from the general sweetness of the romance anime genre. Kaiju Girl Caramelise offers a different kind of rom-com, in the form of a gender-swapped, building-crushing, monster love story that’s wild, funny, and unexpectedly meaningful about external appearances and the pressure to fit in.

Kuroe Akaishi is a high school loner who dresses in dark clothing and avoids socializing due to her unusual “skin condition.” But this is more than an inconvenient allergic reaction. When she gets overstimulated, her hands turn into thick claws, she grows a monstrous tail, and eventually she begins to turn into a giant (skyscraper-sized) Godzilla-like monster. As the new school year begins, a popular and beautiful boy, Arata Minami, becomes attracted to her, despite her outcast status and her intentionally goth appearance. This newfound and very genuine attention leads to dangerous overstimulation in the worst way as Akaishi finds herself reluctantly attracted to the boy despite her grumpy, self-conscious attempts to avoid him. But as their relationship grows, she loses control of herself more frequently and begins to fully transform into her enormous fearful kaiju form, which the locals nickname “Harugon.” Although afraid of the creature, Minami feels an unexpected connection to it and treats it with empathy. Minami struggles to manage the constant social pressure he feels at school, but he soon finds himself at the center of national media attention when the rampaging Harugon publicly shows kindness and restraint with him. Meanwhile, Akaishi is both horrified by her nightly transformation and property damage and stressed out about figuring out what kind of creature she really is, while also angsting about her unintentionally toxic affection for Minami. Fortunately, Akaishi is supported by several women in her life, including her single mother, a scientist, who has a major secret related to Akaishi’s transformations. Akaishi is also supported at school by unexpected new friendships from Manata, a wealthy, kaiju-obsessed classmate, and Reiru, a cosmetics expert and fashionista who has her own unexpected physical appearance secret.

For a show with such a funny and light premise, Kaiju Girl Caramelise has surprisingly solid commentary on society’s focus on physical appearances versus true emotional connections. All of the lead characters have an unexpected side that fits this theme. Akaishi is a shapeshifting teen girl and destructive Godzilla monster. Despite this secret, her new friends support her, and her dreamy boyfriend loves her even though something seems off. On the other hand, Minami is popular because of his good looks, but his childhood was one where he was overweight and bullied, making him now overcompensate by starving himself to stay “beautiful” and by being automatically social and warm with everyone. The cycle of hyper-popularity due to his physical appearance is exhausting and toxic for him, and it gets even worse for him when he becomes the focus of national attention. Rich and pretty Manata is obsessed only with the monstrous Harugon creature, to the point of jealousy of Minami’s public connection to it. And Reiru channels her physical insecurities into a thriving social media presence about creating your own beauty, since beauty is essentially superficial. Later in the series, a boy, Daichi Yoneyama, appears to be a rival to Minami, but he is also not what he appears to be.

Interestingly, when Akaishi transforms into Harugon, she is not only physically monstrous, but she also changes emotionally, becoming more volatile, impatient, and frustrated. Akaishi will often acknowledge her escalating temper during her transformation. This is a change from shows like Kaiju No. 8, in which the transformed protagonist (Kafka Hibino) remains sweet-natured and tries to moderate his monster form while retaining his sense of humor. On the contrary, although Akaishi usually tries to calm herself down to stop her initial transformation, once it is complete, she relishes her monstrous side and finds it exhilaratingly cathartic. In one very funny scene, she thinks (incorrectly) that Minami wants to make out with her, and she knows that will trigger her potentially deadly kaiju transformation. Instead of leaving him or trying to calm down, she instead says, “Sorry, Tokyo, you’re all doing to die tonight.”

While Minami is the ultimate green flag, cinnamon roll character, the show has fun with gender-swapping the traditional monster and damsel-in-distress roles. In Kaiju Girl Caramelise, the giant, bridge-stomping monster is a girl, while the beautiful, kind-hearted, person in peril is a boy. When Minami first encounters a rampaging Harugon, he feels a familiarity with it after looking into the eyes of the monster, and he, at least subconsciously, realizes he has a connection to the creature. We soon have several moments of the kaiju catching or saving Minami, while the news cameras are rolling, which in turn causes Minami to become a national sensation, nicknamed the “Kaiju Prince.” But it is always clear that the real strength of the show is Akaishi. She remains a realistic combination of boldness, insecurity, humor, strength, cynicism, and thoughtfulness.

In its short run of episodes, Kaiju Girl Caramelise succeeds in being sharp, cynical, funny, and surprisingly thoughtful about the societal pressure for a “beautiful” appearance and the value of struggling to push past the superficial expectations. It also has a great deal of feminism and positive girl power energy as Akaishi, Reiru, and Manata all support each other and even find unexpected support among their female classmates. The show will periodically venture towards traditional mean-girl territory and then subvert the usual tropes with something that is actually and surprisingly positive. Despite the funny rom-com set up and completely enjoyable story arc, Kaiju Girl Caramelise has enough heart to be more than the deliciously guilty pleasure that it seems to be.

Nerd Coefficient: 8/10.

Highlights:

• Gender-swapped monster romance
• Surprisingly positive messaging
• Funny, enjoyable guilty pleasure adventure

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Film Review: Madoka Magica: Walpurgisnacht Rising

Superheroism is good and all, but who saves the saviors?

When we last visited the Madoka Magica universe in the Rebellion movie, our favorite relentless antivillain Homura rewrote the rules of the universe that her dear friend and savior Madoka had already rewritten. Instead of allowing a system where Madoka is a divine force awaiting all magical girls when they reach the end of their hope reserves, Homura brought Madoka down to Earth, erased her memory, and fulfilled her initial wish that Madoka should never become a magical girl. For the alien Incubators, this state of affairs is uncharted territory. Now it’s Homura who runs the show, and the Incubators don’t have a clue what to do. Where could the story go from there? We were all left wondering, an unbelievable thirteen years ago (gosh, I feel old). Well, Madoka Magica is finally back. The new movie, Walpurgisnacht Rising, once again rewrites all the rules, revealing surprising bits of the setting’s lore and highlighting the questions that have been at the core of this story since the beginning.

The axis around which this whole cosmic epic revolves is the not-entirely-healthy friendship between Homura and Madoka. As you’ll recall, all the way back in the original TV series, Homura made the wish to be the one who would protect Madoka, while Madoka made the wish to save all magical girls from succumbing to hopelessness. This created an unstable dynamic that exposes some of the problems with the very concept of heroism. In order to change a basic law of the universe, Madoka had to renounce her mortal life and become a goddess. But Homura, as Madoka’s magically designated protector, will always have some measure of power over Madoka. Some inevitable questions emerge: Is it fair that Madoka had to sacrifice her humanity? Is protection a form of domination? Is Madoka OK with saving all magical girls except herself? Did Homura have the right to drag Madoka back to life if it meant annulling Madoka’s choice?

Walpurgisnacht Rising presents us with an unexpected extra complication: It’s little use for Homura to crown herself ruler of the universe when there are forces outside of the universe that don’t answer to her. Those forces irrupt into the story since early in the movie, seeking to punish Homura for her Faustian excesses of ambition. Turns out the dead magical girls that Madoka selflessly offered to save had their own opinions on whether they wanted to be saved, which means that the bulk of the movie is spent discovering the multiple competing agendas that threaten to break apart Homura’s utopia. If you thought the ending of Rebellion was a bit too hard to follow, buckle up, because Walpurgisnacht Rising comes with no training wheels. You’re expected to remember how the story was left off thirteen years ago, and to pick up the continuation immediately. So I can’t recommend watching this movie as your first taste of Madoka Magica; you’d end up hopelessly confused. Go back for a couple days. It’s just three prior movies (or a TV season plus a movie, if you prefer). You’ve had all these years to catch up. This movie has massive loads of plot to tell and no time to ease the viewer in.

Among the reforms that Homura has made to the universe, we learn of a new way of fighting evil spirits. She no longer lets the Incubators recruit new magical girls; instead, she grants temporary powers to a random girl, valid for one fight, and afterward erases her memory of it. That way there’s always some heroine available to defend humanity, but without the cost of losing a girl’s soul. The Incubators are understandably not happy with this arrangement, because now they can’t collect the emotional energy they came to Earth for. This new way of doing things goes on nicely until three unknown magical girls show up out of nowhere and start blocking Homura’s attempts to keep distributing powers. Each of these new girls comes with her own plan for how to re-re-reform the magical girl system. From this point on, it gets somewhat dizzying to keep track of who is a villain according to whom, but let me try to summarize.

First, as you may have guessed from the movie’s title, we’re shown the backstory of the super-mega-witch on steroids that Madoka defeated in the TV series: the dreaded Walpurgisnacht. We learn what kind of magical girl she used to be, why she turned into a witch, how she got so inconceivably strong, and what she has to do with the present plot. Since Madoka was the only magical girl with enough power to defeat Walpurgisnacht on her own, there’s someone who reasons that forcing Madoka to become a witch would release immense amounts of energy, helping the Incubators’ mission to delay entropy and keep the universe running. This subplot is rather brief, but it poses interesting questions about what it means to be a self-sacrificing hero. Lastly, we get to the central conundrum of the entire series: Will Homura allow Madoka to fulfill her cosmic role? One of the many revelations of this movie is that, in the same way that neither Homura’s method with temporary powers nor Madoka’s Law of the Cycle is the original way things were, the same is true of witches. Long ago, it used to be the case that magical girls experienced an arguably worse fate than becoming witches. Someone made an altruistic wish to fix that, and the result was that witches came into existence. Such a drastic retcon demands an explanation for how Incubators collected energy under the former rules, but this isn’t too significant for the dramatic effect of the story.

What matters about this retcon is that it goes back to the same theme we’ve seen before with Madoka and Homura, i.e. the idea that coming up with a perfect solution to help others necessarily takes away something from you. The karmic balance in the Madoka Magica series operates by a ruthless transactional logic. To save others, you have to lose yourself. To save you, someone else has to get lost. This unbreakable tradeoff underlies the fundamental tragedy of being a magical girl. It’s a clever bit of dramatic irony that an Incubator isn’t a monkey’s paw; it doesn’t twist your wishes to screw you over a technicality. No, what happens is even more heartbreaking: the Incubator gives you your wish exactly the way you wanted it, and even then it doesn’t suffice to make you happy. In the earlier movies, Madoka’s big gamble to fix everything, followed by Homura’s big gamble to fix everything, only redistributed the weights of the problem instead of getting rid of it. In a universe where emotions follow the math of thermodynamics, some bit of happiness must by necessity be lost in every transaction.

I’m not sure I came out of the theater with a full idea of what exactly happens at the end of Walpurgisnacht Rising. The more we progress along the story, the more surreal the battle becomes, and at least to me it wasn’t clear who managed to save whom. But I don’t mind being confused when the artistry on screen is so absolutely breathtaking. The animation in Madoka Magica has always distinguished itself by a unique aesthetic that combines digital composition with physical collage to produce an incomparable atmosphere of weirdness. This new movie pushes its own style to even higher standards of visual experimentation. Don’t worry too much if you get lost in the plot. Relax in your seat and enjoy the marvelous look of this masterpiece of animation.

(And if you somehow figure out what on Earth that ending was about, please tell me. I still want to know.)

Nerd Coefficient: 10/10.

POSTED BY: Arturo Serrano, multiclass Trekkie/Whovian/Moonie/Miraculer, accumulating experience points for still more obsessions.

Anime Review: Sparks of Tomorrow

Intriguing quirky animation and cozy, alternate history vibes

Sparks of Tomorrow is the latest contribution to the cozy/comfort anime genre. But, instead of a magical fantasy setting, the drama is based on conflicting pursuits of mechanical inventions that inspire the dreams and drive the motivations of the various characters. The series is set in an alternate history where electricity was never pursued and the few machines are powered by steam. Based on a series of light novels, the story’s undercurrent is an exploration of science and invention. Despite being inspired by science, the series is mostly a drama with plenty of personal angst, including a lost brother, a forced marriage, an over-the-top antagonist, and plenty of family secrets in a mostly kid-friendly plot. Additionally, the show uses a range of animation styles, inventive costumes, and fun character designs to maintain a semi-fantastical vibe that makes the show shine more on the gorgeous visuals than on the underlying storytelling.

Protagonist Kihachi is the orphaned younger brother of a charismatic inventor, Seiroku, whose genius (in this alternate reality) held the key to creating an age of electricity. The loss of Seiroku leaves young Kihachi alone and bitter, but still searching for a way to fulfill his brother’s dream. Kihachi is taken in by a repair shop’s family and works there while still searching for the lost catalog of his brother’s inventions and instructions. As he vacillates between determination and discouragement, Kihachi meets Inako, an optimistic girl trapped in an arranged marriage to the story’s antagonist, Yosuke. Yosuke is the wealthy and obnoxious heir to a large family business who wants the electric invention catalog for himself. As part of his scheme, Yosuke coerces Inako’s father into an engagement to Inako, hoping to gain access to the catalog that he thinks is hidden at her family’s home or brewery. Despite grieving the loss of her mother and her dire situation with the forced marriage, Inako is intrigued by Kihachi’s goals. Inako’s optimistic faith inspires Kihachi to move past his cranky cynicism and chase his dreams. The pair are surrounded by an eclectic collection of characters who help them on their journey, including Inako’s sensible sister, Noriko, and Noriko’s sturdy, but secretly insecure, fiancé Kengo, who each have unexpected connections to the lost Seiroku. Inako also has a pair of super smart girlfriends, Kate and Suzu, who help in the various schemes and one of whom also has an unexpected connection to Seiroku.

Sparks of Tomorrow is more of a light, background show for episodic, family viewing, rather than intensely binge-worthy. Unlike most new anime, the storytelling feels a bit generic despite the unique premise. And, unlike many slice-of-life anime, the lead characters are not irresistibly appealing. Kihachi’s cynicism and Inako’s earnestness start to feel a little repetitive after a while. But the presentation is bolstered by the side characters who are all interesting, clever, and quirky. In particular, Inako’s calmly smart older sister Noriko hides a host of secrets, while her strong but angsty fiancé Kengo has his own internal turmoil. Rather than being a traditional shonen adventure with a mix of light energy and intense violent encounters, Sparks of Tomorrow is more of a middle-grade steampunk science adventure designed for cozy comfort rather than intense peril (although there are some backstory war scenes with on-screen deaths). While there is an overarching story arc of Kihachi and Yosuke fighting over the electrical catalog, each episode is mostly a self-contained adventure, typically focusing on one particular invention. Similar to Food Wars, where each episode showcases a particular cooking technique, Sparks of Tomorrow focuses on a new device which is then used to address a particular plot element in the episode. Many of the inventions are used in ways that are semi-fantastical, such as an electric guitar for a music competition or a motorized toy rat used to scare someone. The tone is primarily comedic rather than profound. Even when there are serious moments of grief or guilt, they eventually give way to a more humorous element.

However, the major appeal of the show is the animation. The visual style is primarily smooth Ghibli-style character movements which shift, at times, to quirky fantastical, or eerie black and white, or abstract impressionist as the plot evolves. Each time, the change of visual effects (which may only be for a moment) is surprising and adds an artsy element to the presentation. In the war flashbacks, the animation style changes to a more retro, hand-drawn style where scenes of rain and scenes of fire follow each other while one character cries over the death of another. Later there is a switch to an impressionist style of flowers and color in the remembering of the lost person. In another scene a character is shown through the reflection of their face in the liquid inside a teacup. A character’s inner thoughts are portrayed as abstract black with white pencil-style animation of their body. In yet another scene, a character walking in the rain is depicted from high above by the pink circle of an open parasol floating among other colored circles against a neutral surface. In a later episode, Kihachi dresses in a ballgown and makeup to sneak into a private event and, once discovered, engages in an extended elaborate dance with the antagonist Yosuke while still wearing the ballgown and continuing their verbal sparring. These unusual and whimsical visual elements are intermittent and unexpected but keep the story from becoming too flat.

Overall, Sparks of Tomorrow is a unique story that delivers intriguing animation and clever side characters. While the central story arc is not intensely compelling, the overall vibes are cozy, kid-safe and interesting enough to hold your attention if you are in the mood for something with low stakes.

Nerd Coefficient: 7/10.

Highlights:

• Cozy, kid focused content
• Gorgeous animation and character design
• Low-stakes cuteness and tension

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime Review: Daemons of the Shadow Realm

Sibling strife and plenty of intrigue in the new anime from the creator of Fullmetal Alchemist

Sibling bonds and sibling conflicts are frequent themes in popular anime. Powerful examples include Sasuske and Itachi in Naruto, Asta and Yuno in Black Clover, and Demon Slayer’s inseparable sister-brother duo Tanjiro and Nezuko. Sibling relations are often a side story in many adventures, adding emotional depth to the characters. In some stories like Fullmetal Alchemist, the sibling relationship is the primary story. Daemons of the Shadow Realm is a new fantasy anime from the creator of Fullmetal Alchemist which brings sibling drama back to the center of the story, but with a twist. Kind, down-to-earth Yuru will do anything to protect his twin sister Asa until he finds out that Asa is not who she appears to be. Neither is his cozy medieval village what it appears to be. The new series is full of plot twists, family angst, lots of betrayal, and plenty of magical creatures who are invisible to the rest of society. In addition to the intriguing premise, the story keeps viewers engaged with its movement between adventure, humor, and very graphic violence. Holding the diverse cast and action-focused plot together is the primary protagonist Yuru, whose particular balance of pure-heartedness and clever, wise cynicism is a refreshing change of pace from the usual shonen heroes.

[SPOILERS for the first episode] Teenaged Yuru lives in a small medieval village with his twin sister Asa. Legend has it that twins born on opposite sides of midnight will have magical destructive power (the power to sunder day and night). This leads to a quiet power struggle by outside forces to control or destroy the children. After their parents disappear, the children are raised by the village. Yuru is mentored in hunting and fighting skills but, for unknown reasons, Asa is kept locked in a cell by the village elders, and Yuru won’t leave the village to search for his parents because he refuses to leave her behind. Despite the strange arrangement, Yuru has strong friendships and support in the village, and remains close to and protective of Asa. But things aren’t what they seem, and everything changes when outsider assassins attack the village and brutally massacre most of the adults. They are led by a dark-haired teen girl who looks somewhat familiar. Yuru and his mentor Ryu (also known as Dera) are able to skillfully defend themselves, but Ryu decides to take Yuru and flee the isolated village. Yuru refuses to leave his sister behind and vows vengeance against the lead killer. But the assassin shares some unexpected news: the little sister he’s been protecting is a fake designed to trap him in the village, and the brutal murderer in front of him is his real sister, who’s been searching for him for years. Then, as he and Ryu flee the magically protected village, Yuru is suddenly exposed to cars, cell phones, and skyscrapers. We learn that Higashi Village is trapped in time but surrounded by contemporary Japan. It’s a lot to take in, but Yuru is surprisingly level-headed as he navigates a completely new world. In the process, he forms a contract with a pair of powerful daemons who fight to protect him. As the world battles around him, he must navigate his powers and fight off those who seek the control him and his sister. All of this is mostly hidden from the rest of the world. Only certain people can see daemons; few people can reach Higashi village, which is hidden from the rest of the world by magic.

But are the people of Higashi Village trying to protect Yuru or use him? Asa has been raised by the powerful Kagemori clan, whose manipulative wealth and crime connections make their intentions suspect. The story is filled with lots of betrayals, plot twists, and power struggles that keep the story enjoyable. But there are also enough sentimental moments to keep the story emotionally anchored. Cynical Ryu becomes a reluctant father figure to Yuru in their modern urban apartment. There are some fun fish-out-of-water moments as Yuru and his giant shadow daemons discover the wonders of modern living. But, despite being mystified by seemingly magical gadgets, Yuru has been raised with strangeness as part of his life, so his humorous fascination is always moderated. The idea of something he can’t understand is already a part of his being. This element is a fun exploration of the wonder of magic versus the wonder of science. And his curiosity is balanced with his solid instincts and a healthy dose of cynicism. After being abandoned by his parents and lied to by those he trusts, and witnessing the massacre of his community, he is not easily fooled by the smooth-talking manipulators who are trying to access his power. Asa, on the other hand, is fierce, cutthroat, and brutal, but she unexpectedly loves intensely, and is completely devoted to the brother she lost. Yuru treats her with bitterness for killing his village, but also with suspicious curiosity, as she genuinely dotes on him and tries to connect with him. Although he won’t forgive her for what she’s done to try to find him, he understands that there are larger issues at play, since control over the combined power of the twins will affect the safety of the entire world.

The pairing of opposites working together is a consistent theme throughout the story. Yuru and other magic wielders have pacts with supernatural beings called daemons. The daemons exist in pairs with opposite identities. Yuru’s daemons are the strong, giant, ancient, male and female warriors named Left and Right, who are fun characters with gorgeous animation and character design. The central story focuses on the twin protagonists who symbolize Day and Night. Yuru represents night and the power of “seal,” locking things down or bringing closure. Asa represents day and the power of “break,” destruction or opening to freedom. The duality symbolism is fun, and many of the various magical characters have their own quirky personalities. Beyond the core characters, the story builds outward with a growing cast that includes the various factions fighting to control the twins. Fortunately, the characters are introduced gradually, which makes it easier to keep track of who everyone is. Other than Yuru, almost all of the characters are morally gray, including Asa, who has no remorse for slaughtering people to get to her brother. This dynamic keeps the tension strong because you never quite know when someone is going to suddenly betray a character. Fortunately, Yuru understands the realities and is clever enough when dealing with the various factions trying to get to him. His balance of youth, curiosity, cleverness, and cynicism makes the show highly watchable without falling into the more common protagonist tropes of either excessive optimism or grumpy bitterness. And the quirky relationship between the lethal siblings is a nice change of pace from the more common protective big brother themes.

So far in season one, Asa feels much less developed than Yuru, but neither of them have extended deep moments of introspection. Fortunately, the brief moments pack a lot of meaning and keep the story grounded. In one passing moment, Yuru realizes and comments out loud that his parents left him behind. There’s not a lot of drama, but viewers can feel the gravity of the hurt in that single sentence. Elements like this keep the show entertaining and engaging despite the growing cast of characters. The show’s premise feels typical, but the delivery is clever and unexpected, with plenty of early plot twists. Additionally, the story gives us a unique and intriguing sibling dynamic that differs from the usual setup of protection or rivalry. Both Asa’s and Yuru’s love for each other has been twisted, leaving the twins to navigate not only the forces battling to control them but also their own personal connection that was brutally damaged through the actions of others. That internal tension is a great way to balance an action-oriented plot in this unique fantasy setting.

Nerd Coefficient: 8/10.

Highlights:

• Refreshing change of pace in the protagonist and relationship set up
• Complicated cast of morally gray characters
• Solid action with plenty of violence

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime Review: Frieren: Beyond Journey's End, Season Two

Cozy magic vibes and big battles in an entertaining but short season of comfort storytelling

Frieren: Beyond Journey’s End, Season Two continues the story of Frieren, a centuries old, apathetic, eternally youthful, and fiercely powerful elf mage, who begins her next adventure decades after completing a ten-year heroic quest with three teammates whose friendship she didn’t fully appreciate until they were gone. Season One offered a unique style of storytelling featuring a seemingly indifferent protagonist who gradually realizes the value of her past life lessons and her relationships. The combination of poignant growth balanced with fierce battles for survival set the stage for the next level of emotional wisdom and physical strength. This defines Season Two as Frieren’s party journeys to the dangerous Northern Lands. However, with only ten episodes, Season Two is so short that it almost feels like a side quest compared to the twenty-three segments in Season One. The decision seemed to be to adapt the next shorter portion of the manga without venturing into longer story arcs that would end the anime season on a cliff-hanger. Despite the short offering, Season Two has a meaningful tale about the value of protecting one’s community and showcases both Fern and Stark’s substantial growth in strength and emotional maturity compared to the first season. We also see Frieren’s quiet evolution from being socially indifferent to profoundly compassionate after learning the meaning of her past experiences and allowing Fern and Stark form a found family with her.

At the start of Season One, Frieren was wandering aimlessly through life after being a member of the world-famous party of heroes who defeated the oppressive demon king. The group consisted of the heroic and optimistic young leader Himmel; the quirky and kind priest Heiter; and the strong, reliable dwarf warrior Eisen. Years later she is deeply moved by Himmel and Heiter’s deaths, suddenly realizing the connections she had taken for granted. Before dying, the old priest Heiter asked Frieren to mentor Fern a magically gifted orphan girl he had sheltered. Later, the long-lived Eisen, the dwarf warrior, gave Frieren his apprentice, a strong but insecure teenaged boy named Stark. The new trio dealt with a range obstacles throughout their journey, including magical fights, political intrigue, and Fern’s intense journey to be certified as a first class mage. Season One had plenty of spectacular fight scenes but was memorable for its big and small emotional moments between the living and the dead characters. Many key moments were shared in flashback.

Season Two begins with Fern and Stark following Frieren on her journey through the Northern Lands to fulfill a spiritual connection. The emotional dynamic is more settled in Season Two. Instead of being surprised by her memories of Himmel, Frieren openly embraces her connection with him and accepts the changes in herself inspired by her interactions with him and with others whom she belatedly appreciates. Season One ended with Fern earning the rank of a rare first class mage after a fierce competition. In Season Two, on their journey north, Fern, Frieren, and Stark, reconnect with acquaintances from the mage exam and soon find themselves in a fight for their lives and for the protection of the decimated village of their stoic ally, the powerful mage Genau. Instead of creating a major shift in the tone of the story, Season Two confirms Frieren as comfort anime that offers moments of intense action but solidly focuses on character, relationship, and small acts of morality in a cruel world.

In an early episode, Fern’s party takes a job cleaning a statue of the “Hero of the South,” who Stark is surprised to learn is not Himmel. Statues of Himmel appear in random towns along their journey but the story gives a reminder that the famous heroes in history are supported by many others who are forgotten. In the middle of the season, Fern and Stark finally go on a date with mixed results. The big climax of the season is the team aiding top mages Grenau and Methode in a terrifying battle against the mega-demon Revolte. In addition to some emotional flashbacks for the very unemotional Grenau, we get to see the boys, Grenau and Stark team up against the terrifying Revolte, while Frieren, Fern, and the always calm Methode tackle a mega demon of their own.

Despite Frieren’s growing emotional awareness, she retains her pragmatism and her life-saving cynicism. This keeps the story from drifting into over-sentimentality. Similarly, Fern imitates Frieren’s calm and practical tone even when it comes to Stark to whom she is attracted. Stark remains a foil to them both since he is comfortable with being dramatic, and since he has no magic powers and must rely on his extraordinary strength and speed in their battles with demons. Stark becomes the speaker for the audience by calling out outrageous occurrences that Frieren and Fern take in stride. In Season Two, Stark also steps into instinctive and consistent bravery while maintaining his sense of humor. On the other hand, instead of being a blank canvas for others to write on, Frieren becomes the dispenser of wisdom, not just for battle, but for small human interactions with strangers in need. The episodes explore the importance of honoring unsung heroes who fight for justice, protecting the dignity of those in need, and standing with allies in tough times. In a key moment, when asked why she made a certain choice, Fern notes that it was what Frieren would have done.

Despite the very short run, Frieren Season Two delivers a strong collection of comforting, thoughtful stories, carefully balanced with big fight scenes, humor, and quiet emotions while we wait for the next big story arc to take us on a new adventure.

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The Math

Nerd Coefficient: 8/10

Highlights:

• Solid comfort storytelling
• Intense Northern Lands battles
• Strong character growth

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime of the Year Finalists 2026

A strong year for drama yields an intriguing collection of finalists for Crunchyroll’s 2026 Anime of the Year.

2025 was a big year for intense dramas and powerful character explorations in the anime world. The finalists for Anime of the Year, for the most part, reflect this change of focus through an eclectic collection of nominees. Three returning popular series: 2025 nominee The Apothecary Diaries (Season 2), 2025 nominee Dandadan (Season 2), and the long awaited finale of My Hero Academia (The Final Season) face off against three very unique and intense newcomer stories: Gachiakuta, The Summer Hikaru Died, and Takopi’s Original Sin, all competing for the 2026 title of Anime of the Year.

The Apothecary Diaries - Season Two

In its second straight year of being nominated in the top category, The Apothecary Diaries had another strong year building on the momentum of the first season. In an ancient China inspired setting, seventeen year old apothecary Maomao is kidnapped and sold into indentured servitude in the rear palace, the residence for the emperor’s various concubines. Although she decides to keep a low profile and serve out her time, her high intelligence and curiosity get noticed by the gorgeous head eunuch, nineteen year old Jinshi, who promotes Maomao and gets her help to solve a string of palace mysteries and murders. In season two we get the long awaited official revelation of Jinshi’s true identity as well as the culmination of a major political upheaval along with some disturbing family history. There is a faster pace in this season’s storytelling with plenty of action added to the puzzle box mysteries for Maomao to solve, and the season turns up the heat on the continuing slow burn romance between the lead characters.

Dandadan - Season Two

Dandadan Season Two is a slight change of pace from Season One, giving us a single cohesive action story arc and less of the strange sexual humor. Season One of this supernatural comedy adventure explored the origin stories of nerdy teen Ken, nicknamed Okarun, who gets possessed by supernatural powers that create an alter ego super version of himself when needed. And we meet his new friend, outgoing Momo who learns the secrets of her very youthful grandma’s supernatural talents and her family’s connection to the spirit world. Together Okarun and Momo work to fight curses and demons while still making time for school and their awkward budding romance. Eventually, another classmate, the self absorbed Aira, and later Momo’s kindhearted childhood friend Jiji join them in their demon fighting adventures, creating a more defined supernatural squad. Season two involves the group’s attempt to deal with an evil possession in Jiji’s home. The season long story arc has great fight scenes, a poignant backstory for the antagonist, and a very creepy villainous demon/ghost family. While season one alternated jarringly between outrageous slapstick comedy and the profound, tragic backstories of the various demons, Season Two has more even pacing with a single direct adventure, along with lots of teambuilding and character introspection woven into the action. Overall, it’s an enjoyable adventure (in many ways more enjoyable than season one) but less intensely philosophical compared the rest of the nominees for Anime of the Year.

My Hero Academia – Final Season

The long running anime, My Hero Academia, came to a satisfying end in 2025. After starting out as a kid-friendly, colorful, optimistic, sometimes silly, action-adventure, the series gradually became more intense and powerful in the later seasons with plenty of onscreen tragedy, moral gray areas, family drama, and deep societal questions. After years of increasing tension between the heroes and the villains and the rest of society, the final season of MHA did not disappoint. The ending story arc featured an intense and gorgeously animated dual showdown between idealistic Deku and the tragic villain Tomura, as well as the angry, loudmouth young hero Bakugo versus the sociopathic villain, All For One. Additionally, the final episode of the series delivered an unexpectedly thoughtful and powerful message on what it means to truly be a hero in everyday life. The final season was the total package of action, sacrifice, camaraderie, and meaningful messaging, making it a sentimental favorite as the long-running story comes to an end.

Gachiakuta

Newcomer Gachiakuta was the breakout new show of the year. The debut anime featured familiar story elements reimagined through a unique setting with stylish animation, heavy social symbolism, and diverse characters. Gachiakuta is the story of Rudo an outcast orphan from an elevated world, who is unjustly sentenced to death for murder and thrown to his death into the deadly, garbage covered surface world below. However, he unexpectedly survives the fall into the toxic atmosphere and is rescued by the charismatic Enjin who convinces Rudo to grudgingly joins a group of specially gifted people who destroy monsters and fight raiders in the world’s wasteland and allow communities to be created in the dismal surface landscape. The debut season of Gachiakuta, had lots of action, likeable found-family dynamics, stylish character design, and outrageously appealing characters including the antagonists. The story balances traditional shonen action with intense and tragic stories, along with diverse characters and plenty of real world symbolism. The grunge vibe and edgy visuals made it no surprise that Gachiakuta landed an Anime of the Year nomination.

The Summer Hikaru Died

In a complete change of pace, The Summer Hikaru Died forgoes the usual action adventure and delivers a slow paced physical and psychological horror. The Summer Hikaru Died tells the story of Yoshiki, a quiet teen boy whose outgoing best friend Hikaru disappears from their rural community. When his friend returns some time later, Yoshiki is the only one who realizes that the returned person is not the same Hikaru. The story leans into quiet horror elements with sleek, hypnotic animation, as well as the creepy elements of a small village which is isolated and surrounded by supernatural vibes. The series uses thoughtful storytelling and unusual visual symbolism to explore psychological terror as well as the growing, intimate but dysfunctional connection between the two boys. The Summer Hikaru Died is a standout series for its uniquely creepy plot, unusual animation, and quietly clever story execution.

Takopi’s Original Sin

The last finalist for Anime of the Year is the very bleak and disturbing Takopi’s Original Sin. This short series packs a lot of emotional damage into only six episodes. It joins shows like The Promised Neverland that are cute-looking and child-centered but are not appropriate for young children due to the anime’s violent nature. Takopi is a round, pink, bouncy, cheerful, naïve alien who believes its mission is to bring “happiness” through its various magical gadgets. It encounters Shizuka, a physically bullied and meek grade schooler. Takopi’s superficial attempts to cheer her up lead to an unexpectedly tragic outcome. Confused, Takopi rewinds time to change the outcome which leads to more unexpected occurrences. Through the course of the series, we learn more about the backstory of the bullied girl Shizuka, her cruel abuser classmate Marina, and about Azuma, a stressed out young boy who is a mutual acquaintance. As the title implies, there is also another layer of culpability on the part of the irritatingly cheerful and naïve Takopi that is eventually revealed. All of the child characters experience various forms of cruelty from their parents and from each other and gradually descend into increasing physically and psychologically tragic behavior despite their own victimization. Despite moments of redemption and hope, the story is intense, bleak, and full of trigger warnings and is a surprise finalist given its unusual content.

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The nominees for Crunchyroll’s Anime of the Year are, for the most part, a surprising change of pace from the usual shonen adventures. Noticeably absent from the nominations are two of last year’s nominees, including Kaiju No. 8, which had an entertaining but less strong second season, and last year’s winner, Solo Leveling which delivered more of the same escalating adventure in its second season. A perfect fit for this year’s drama-focused collection would have been the always evocative Frieren: Beyond Journey’s End, but Frieren’s second season released in 2026, past the cut off point for this category. Overall, this year’s nominees, for the most part, represent a general shift towards intense drama and philosophical explorations rather than primarily action adventure. The collection provides anime fans looking for something more psychologically intense with some solid choices for their future viewing.

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POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Film Review: Scarlet

Something is rotten in the state of human hearts

If I had known in advance how the anime film Scarlet would handle its topic of obsessive revenge, I would have made this post a Double Feature with Redux Redux, because both stories use the devices of their respective genres in a visceral manner to demonstrate the self-destructive poison that is revenge.

Scarlet is a gender-flipped retelling of Hamlet that sends the princess of Denmark to an endless limbo when she accidentally drinks a cup of poison sent by her treacherous uncle before she had a chance to avenge the late king. In that barren landscape of sorrow and regret, she learns that her uncle has also died, so she embarks on a quest to walk across the vast land of the dead to find him and make him pay.

If you’ve ever wondered whether Prince Hamlet should have been more decisive in carrying out his revenge plan, Scarlet answers that that was never the issue. Being quicker to punish his uncle would still have played into the narrative conventions of a tragedy, and the thing about tragedies is that the only person you succeed at punishing is yourself. In that intermediate realm between Earth and the Great Beyond, Princess Scarlet fights waves of assassins sent to make her spirit dissolve into nothing. By willingly adopting the role of tragic heroine, by refusing to abandon her one-woman war, Scarlet has built her own hell.

Interestingly, there’s an element of cosmic retribution at play too, a remote, speechless character who takes the form of a celestial dragon and imparts punishment without the distortion of human passions. This addition to Hamlet lore makes Scarlet resemble the Greek Oresteia, where the impartial, impersonal judgment of the state is introduced to put an end to the self-perpetuating cycle of bloodshed that always results from private vendettas. However, in the case of Scarlet, this replacement is not associated with the state but with a more universal sense of justice, with death as the great equalizer.

Learning this lesson takes Scarlet a long, painful journey over beautifully designed scenery that almost steals the spotlight from the story’s heavy themes. We follow Scarlet through deserts and mountains and oceans that take the breath away with their sublime immensity. Even if the plot’s structure sometimes feels too streamlined and easy, the level of visual artistry more than makes up.

Because the other side has a loose relationship with time, Scarlet is joined by a random newcomer: a recently dead paramedic from present-day Japan, who strangely insists on bandaging every lost soul he meets, including Scarlet’s enemies. Even as she slashes and stabs her way through the land of the dead, he follows close behind, providing comfort to those you’d think are beyond hope. His example turns out to be crucial to her choices at the end of the film: the thing at stake is not only the punishment for the usurper king, but the fate of Denmark. Through this paramedic, Scarlet gets a glimpse of a time (which from her standpoint is the future) when people no longer butcher each other in eternal spirals of hatred. This being a Japanese production, it’s easy to perceive a subtextual allusion to the discussion on the remilitarization of the Japanese state. Can we have a future without more bloodshed? Can we escape this interminable journey between corpses and vengeful spirits?

We don’t have to renounce the entire idea of justice. But if death comes for all, it doesn’t need our help. We can face evil, even punish evil, without punishing ourselves.

Nerd Coefficient: 9/10.

POSTED BY: Arturo Serrano, multiclass Trekkie/Whovian/Moonie/Miraculer, accumulating experience points for still more obsessions.

Anime Review: Sentenced to Be a Hero

An intriguing fantasy premise that would benefit from deeper character development

The Winter 2026 Anime season was loaded with the return of major heavy hitters from the past including Jujutsu Kaisen, Frieren, Fire Force, and Hell’s Paradise. This powerhouse lineup made it hard for new shows to stand out. But, Sentenced to Be a Hero arrived as a debut anime with lots of promise, in both its premise and its animation style. The initial concept was unique and the character design was appealing. While the show is entertaining, it’s hard to say why this promising story doesn’t land as a mega-hit the way one would expect, especially since it seems to check the boxes for a fantasy adventure anime.

Sentenced to Be a Hero is set in a magic medieval like world where knights (soldiers), under the direction of the local military and religious leaders, battle hordes of monstrous creatures (demons) to protect civilians from destruction. The knights are periodically helped by magical creatures known as “goddesses” who have special powers. The series is primarily the story of Xylo Forbartz, a heroic knight who falls into disgrace when he is betrayed in battle and falsely accused of murdering his partner goddess. He tries to explain the circumstances of the goddess’s death but it’s clear the trial is rigged. Instead of being simply executed, he is sentenced to serve as a “hero.” In this culture, “heroes” are executed convicted criminals who are magically brought back to life and forced to protect the kingdom. Since they are convicted criminals, they are looked down on by other knights and by the local people. Each hero is sealed by a spell that grants them miserable immortality. In the event that they are killed they are brought back to life to continue fighting and suffering. However, each reanimation strips them of memories and their humanity.

Xylo is wrongfully convicted and sentenced to an eternity of servitude basically doing the kind of work he was doing when he was a holy knight. However, the heroes have minimal resources and are given the most dangerous assignments including suicide missions. Although they can move around and still exist as seemingly normal humans, they are controlled by seals around their necks and must comply with orders or face a painful death and reanimation. Xylo heads a ragtag team of other convicted heroes, including the fearful thief Dotta, the con-artist Venetim, the slightly unhinged killer Tsav, and the mentally unstable Tatsuya. There is also, Norgalle a strong, older fighter, who lives under a delusion that he is a benevolent king. Dotta stumbles upon and steals a box containing a new immature goddess Teoritta. Teoritta insists on forging a pact with Xylo despite his reluctance due to his prior bad experience with his previous goddess. However, when an attack by swarms of demons puts hundreds of military lives at risk, he capitulates and accepts her help. He and his ragtag team of enslaved heroes are forced to assist a squad of knights under the leadership of Captain Kivia, a woman who initially distrusts Xylo but eventually becomes a grudging ally. The rest of the series focuses on various battles and rescue missions involving the growing demon horde and the search for the various demon lords who control them. Along the way we are introduced to more members of Xylo’s team who apparently don’t always fight together, including dragon rider, Jayce and creepy, overly polite soldier Rhyno. Eventually, we learn the story of how several members of team became trapped as heroes. In almost all of the cases, the heroes are sentenced unjustly as part of a corrupt government cover up. Manipulating all of this drama are shady religious leaders, undercover demons, and local demon sympathizers who are happy to betray humanity.

Although each member of Xylo’s team has a distinct name and an overtly referenced personality type (thief, con-artist, killer, dragon-rider), I often found myself double checking who was being referred  when a name was mentioned. The supporting characters were conceptually interesting, but in the execution of the story, they seemed underdeveloped and not fully emotionally engaging. Unlike other anime where the side characters are essential to understanding the main protagonist, these supporting characters are mostly limited in terms of evoking emotions from the viewers. Even Xylo himself doesn’t reveal much about his backstory (family, upbringing, childhood trauma) and doesn’t meaningfully evolve over the very short season. Xylo is grumpy, understandably cynical, and pragmatic. He is paired with the newly birthed “goddess” Teoritta who is sunshiny, childlike, and egotistically optimistic. Even though she is called a goddess, Teoritta is basically still a person and vulnerable to being killed despite her magical powers. Teoritta is distinctly portrayed as childlike and not as a romantic interest. She is similar to Sylph, Yuno’s bossy, possessive, sprite-like wind spirit companion in Black Clover. Her personality is a contrast to the general serious vibe of the other characters. Teoritta and the other goddesses rely on praise to bring meaning to their lives and she is constantly asking praise from Xylo who is initially belligerent to her in a classic grumpy-sunshine trope. Xylo and the supporting characters are likeable but underdeveloped and the series relies more on the political plot than the interpersonal relationships to tell the story

Battling demons to save humanity is a story that has been done often, including in shows like Black Clover, Fire Force, Frieren, and even Bleach. Sentenced to Be a Hero revisits this popular story concept with a fresh premise of the forced sentenced heroes. But once the story gets rolling, the ultimate execution still feels like something we’ve seen before. As such, it is reasonably entertaining but not as innovative and uniquely engaging as it could be. Most major and popular anime have a moment that builds a surprising emotional connection with the viewers through a poignant moment, a tearjerker scene, a stunning moment of battle, a unique character introspection, or at least powerful and inspiring character camaraderie. Those elements are mostly missing from Sentenced to be a Hero. Fortunately, towards the end of this very short season, there are some big revelations and surprising developments that help make up for the intervening flat moments. Ironically, the person with the biggest character arc is the initially antagonistic Kivia, as she experiences a major shift in her worldview. Xylo primarily only evolves onscreen in terms of his treatment of Teoritta, as he gradually grows more protective of her when he realizes how many people want to hurt her. Surprisingly, one of the other best characters, is Frenci, Xylo’s former fiancé who is clever, cynical, and loyal to Xylo. Her status as fiancé also indirectly provides some abstract insight into Xylo’s prior life.

Beyond these small insights, Xylo, remains mainly stoic, vacillating mostly from annoyance to irritation. It’s not until around the seventh episode that we see him actually smiling. His perpetual baseline of irritation makes sense given the premise that the heroes are generally like inmates, not friends, and are not very emotionally connected to each other. That kind of emotionless presentation may make sense for the story concept, but it is hard to pull off without risking disconnect. Frieren is an example of a show with an initially stoic protagonist. However, over time she became a much more complex character. Solo Leveling is another series with little emotional content or fleshed out characters, but it still manages to be entertaining due to the intense and creative video game inspired action. The battles and victories in Sentenced to be a Hero are often overshadowed by the pervasive sense of injustice that are an inherent part of the corruption story. Fortunately, there are a few positive moments of inspiration where the townspeople show appreciation and even Xylo has a moment of surprise at being shown gratitude. 

Overall, Sentenced to be a Hero is a reasonably entertaining show that has a unique initial premise. But the overall plot feels familiar and the characters are underdeveloped in a way that risks disengagement, despite some dramatic moments in the series. Diving deeper into the characters in the future would be a risk that could be worth the payoff, especially given the short season.

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The Math

Nerd Coefficient: 7/10

Highlights:

• Unique and intriguing premise
• Little character development or story energy
• Complicated list of characters navigating a familiar plot structure in short season

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

TV Review: One Piece Live Action – Season Two

Picking up the pace with more quirky characters, lots of fighting, and some tearjerker moments as Season 2 sails into the Grand Line.

After a long wait, the second season of Netflix’s One Piece live action series has finally arrived. Season One of One Piece was a hit with a range of fans as it explored the adventures of a pirate boy and his ragtag crew. Due to the quirky nature of anime in general, it’s normally a challenge to bring those fantastical stories and characters to life in a live action format. Fortunately, Season One managed to navigate the source material’s wild visuals and storytelling to create a show that appealed to everyone from complete newcomers to superfans. The show has strong diversity in its characters and great character chemistry which draws the audience in. In Season One we met the five original Straw Hat crew members, one at a time, with pacing that allowed for poignant backstories and the development of strong character chemistry in the midst of some big adventures. In Season Two, the slower pace is gone, and the show dives right into a dizzying array of new, outlandish characters along with lots of fight scenes brought on by the busy new antagonist, Baroque Works. While the new adventures lack the wonder of the first season, the characters are still charming and the adventures are still entertaining, particularly for long time fans.

Summary: Luffy (Iñaki Godoy) is an enthusiastic adolescent boy in pursuit of his dream to become a pirate and to ultimately become the “king” of the pirates. To do this he must find a hidden treasure known as the One Piece. Luffy gradually assembles a rag-tag but loyal crew to join him on his hunt for the One Piece which is hidden in a dangerous place known as the Grand Line. Among his crew are Zoro (Mackenyu), a fierce and cynical swordfighter; Nami (Emily Rudd), a cartographer and navigator; Usopp (Jacob Romero), a shipbuilder with a knack for exaggeration; and Sanji (Taz Skylar), a suave chef who is talented at both cooking and fighting. Luffy calls his crew the Straw Hat Pirates in honor of the straw hat he wears. Season 2 begins with Luffy and his crew finally entering the Grand Line and realizing how much they underestimated its wild nature and complicated politics. The primary antagonist for the second season is an assassin agency known as Baroque Works whose oddball killers target Luffy and his crew. But things get more complicated when Luffy comes to the aid of Vivi, an undercover princess, and meets a shapeshifting reindeer named Chopper. 

While the first season did a good job of entertaining a wide range of viewers, Season Two seems more targeted to established fans. Many of the new villains appear with little introduction and the plot moves fast as new obstacles and new adventures arrive. But, as in the first season, we are helped out by explanatory signs that fly onto the screen when a new character is introduced. The design and presentation are different from the first season, but it’s still a helpful tool, especially if it’s been a while since you’ve consumed the anime and don’t immediately catch the characters’ outlandish visual cues. The new adventure brings to life episodes of the anime’s early story arcs including the amusing giants of Little Garden and the tragic oppressed kingdom of Drum Island. As the plot and the pirate ship move along, several of the show-stealing characters from the live action’s first season are left behind, or only have brief moments on screen, including pirate captain Buggy the Clown, the pure-hearted Koby, and the stern marine commander Garp.

Fortunately, Season Two adds appealing new characters with particularly good acting. Among the best are the determined Princess Vivi, played by Bridgerton’s Charithra Chandan, and the stalwart, guilt-ridden Drum Island soldier Dalton (Ty Keough), the ultimate green flag hero who finds his true strength. But the most fun arrivals are the sweet and much awaited, Tony Tony Chopper (Mikaela Hoover) and his gruff mentor Dr. Kureha (perfectly played by Katy Sagal). One Piece stands out in anime for its particularly fantastical characters in very outlandish costumes. The live action show does a good job of adapting the character designs, rather than just directly copying them, so they fit in a real-life setting. This is especially true for the adorable Chopper, an orphaned reindeer who gets turned into a human-reindeer hybrid after eating a magical devil fruit. Chopper is the kind of character who seems impossible to pull off in a live action but the show succeeds in making him believably real and endearing, rather than artificial and creepy. Like Golum in the Lord of the Rings movie, Chopper is presented via motion capture so the facial expressions are heartbreakingly engaging.

Some of the future main characters like Brook and Nico Robin appear briefly as set ups for future story arcs in future seasons. The main plot of Season Two is Baroque Works versus the Straw Hat Pirate. With so many Baroque Works agents the story focuses more on adventure and fights and less on the slow moments of character introspection that we saw in Season One. However, we do get some thoughtful and emotionally impactful intervals with the tragic stories of Chopper and his former mentor Dr. Hiruluk, and also with Dalton finding his voice and strength to deal with the despotic oppression of his people. There is even a rare quiet moment of Sanji recalling cooking for his sick mother when he was a child.

While Season Two doesn’t have the same magic of the first season, it is still a fun adventure that manages to capture some moments of emotional storytelling and manages to showcase some appealing new characters. The pacing is fast and the tale feels like it is over quickly, leaving viewers anticipating the next adventure in the Grand Line. But overall, long time fans will enjoy seeing more of the major characters come to life in this latest wild adventure.

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The Math

Nerd Coefficient: 7/10

Highlights:

• Faster pacing, more fighting
• Appealing new characters
• Emotional moments buried in the non-stop action

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime Review: Spy x Family: Season 3

Spy x Family returns for a bold, emotional, and action packed season 3.

Anime seasons ebb and flow, with some seasons feeling slower and others being absolutely amazing. After an uneven second season, everyone’s favorite fake family has returned in fierce form for an action-filled and emotion packed Season 3. The latest stories of super-spy Loid, lethal assassin Yor, mind-reader Anya, (and clairvoyant dog Bond), are poignant, stressful, and very entertaining.

Spy x Family takes place in Ostania, a fictional 1960’s style country in a cold war with its enemy, the neighboring Westalis. To prevent another devastating war between the neighboring countries, a cynical Westalis super-spy (Agent Twilight) is ordered to spy on an extremely reclusive Ostanian political party leader. The only way to do this is to enroll a child in the elite Ostanian private school that the political leader’s son attends. To create the required fake family, the spy takes on the fabricated identity of psychiatrist Loid Forger and adopts young Anya from an orphanage but is unaware that the child is a telepath. He then meets Yor, a sweet and kind city hall clerk who needs a fake marriage to help with her own job security because, in Ostania, single women over a certain age are often suspected of being spies or insurgents. Unbeknownst to Loid, his new wife Yor is secretly an elite assassin. Yor is genuinely kind when she’s not killing people at her night job, but she is a little clueless when it comes to normal life and she is unaware that mild-mannered Loid is a super-spy. 

Only telepathic Anya knows the truth about her adoptive parents’ true identities but, thanks to her obsession with violent crime tv shows, Anya finds Loid’s and Yor’s hidden occupations to be very exciting. After a wild adventure, the family adopts a clairvoyant dog they name Bond but only Anya can sense Bond’s premonitions about the future. Rounding out the cast are Anya’s grade school classmates, Damian, the political target’s young son, and Becky, a pampered but friendly heiress. We also meet Franky, the comic relief informant, and we meet Yor’s stressed out younger brother Yuri, whom she helped raise after their parents died. Unbeknownst to Yor, her brother is a member of the secret police who is suspicious of Loid. Because Loid, Yor, and Anya are all orphans, the show emphasizes the importance of both biological and chosen family ties. The balance of cuteness and violence is what sets the story apart, especially with a cast of funny supporting characters, all with 1960’s fashionable clothing and a cool retro setting. 

Season 3 has three primary story arcs. The first and strongest arc is the long awaited deep dive into Loid’s backstory. Throughout the series, we are reminded that “Loid” is a fake name for the spy “Twilight” which a fake name for a person whose true identity remains a mystery, even to viewers. Like Sai in Naruto Shippuden, Loid/Twilight has lost his original identity and takes on a new transient persona for every job. Also like Sai, Loid begins to change when he takes on a role in his new found family that reignites his long hidden emotions. But who was Loid before he accepted his life of deception? Other than a few fleeting flashes of a crying child, we know nothing about Loid other than that he suffered the devastation of war. Over a series of beautifully written episodes in Season 3, we learn about Loid’s creative childhood friends, his harsh father, his protective mother, and the idyllic town in which he was born. Without revealing his or his parents’ names, the story shows us how he went from being a playful imaginative boy to being a war orphan, then a jaded soldier (including a poignant early encounter with his current informant Franky), and eventually accepting recruitment into the spy program. After losing everything he loved, he learns to be distrustful of others and to use deceit to survive. However, despite the repeated negative impressions of the Ostonians who attacked his country, it is ironic to see how close and protective he has become of his make-believe Ostonian family. 

The second major story is a terrorist hijacking of Anya’s school bus. Conveniently for the plot, Loid and Yor are unavailable to help, which means this story is focused on Anya and her school crew who are on their own against a violent group of hostage takers. Unlike Loid’s backstory arc, the hijacking episodes have lots of traditional Spy x Family humor notwithstanding the tense premise. Despite the weapons pointed at her, Anya’s mindreading gives her an upper hand with the kidnappers as does Damian’s grumpy bravery and protectiveness, and Becky’s cleverness and loyalty. But the key to cracking the situation occurs when Anya discovers tragedy involving the main hijacker’s daughter and her involvement in a political protest. This gut-punch of sadness sits in sharp contrast to the primary humor and adventure tone of the story. 

The third major story is the spy conflict that ultimately pits Loid against his brother-in-law Yuri in a tense battle of wits and fists. Loid’s Westalis spy agency is betrayed by a double agent who steals their information and plans to sell that data, including the identity of their agents, to Ostania. Loid is ordered to stop the traitor before he makes it to his meeting with the Ostanian secret police. Unfortunately, Yor’s brother Yuri is part of the squad meeting the traitor and he is on the lookout for the famous spy Twilight to make his move. After much speculation throughout the series, we finally see Loid and Yuri facing each other in their true spy versus secret police personas. The result is intense and fast paced excitement with just enough family drama and irony to tie it together. 

A shorter but still funny mini-story is the introduction of Damian’s seemingly cheerful mother, Melinda whose encounter with Yor leads to a day of fun in which Yor repeatedly and inadvertently shows off her superhuman strength. However, in the hijacking arc we later find out that Melinda’s cheerful exterior hides disturbing thoughts and emotions towards her mostly neglected son. 

A common thread throughout the third season is the importance of family in all of its various forms. A second, less endearing theme, is the harm caused by authoritarian regimes and political machinations. Spy x Family’s premise is modeled on regimes that are politically repressive. Yor was originally willing to accept the fake marriage because being a single woman makes her look suspicious in their society. However, in Season 3 we truly get to see how repressive a society Ostania is. We also finally get to see Yor’s brother Yuri in action as an agent of the Ostanian Secret Police. His single-minded dedication to the government is unsettling, especially since it is the same government that puts people at risk just for being “different.” Overall, Season 3 of Spy x Family has the strongest storytelling thus far. It dives into difficult subjects and pauses the humor long enough to do those moments justice. But there are still moments of the traditional Spy x Family dark comedy, especially with Anya having to navigate a dangerous situation with the help of her elite school classmates instead of her super powered parents. This combination of intense storytelling and complex emotions make Season 3 of Spy x Family the strongest so far.

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The Math

Nerd Coefficient: 8/10

Highlights:

• Tragic and poignant backstory
• Big themes of family and political machinations
• Strongest storytelling so far

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Anime Review: My Hero Academia — The Final Season

It’s the end of an era and My Hero Academia sticks the landing in the final season

It’s hard to believe the iconic anime My Hero Academia has come to an end. After multiple feature films and eight seasons of escalating battles, emotional struggles, physical loss, and societal betrayals, the series has wrapped up with a satisfying conclusion that doesn’t hesitate to lean into the imperfections of the characters and the reality of loss, while still leaving viewers with a profound sense of hopefulness. The long-running series follows the adventures of Izuku (Deku) Midoriya, a determined boy whose dream of being a hero inspires a diverse range of heroes, antagonists, and ordinary people, while he battles his own inner demons. MHA started out as a traditional underdog shonen anime with bright animation, fantastical character designs, and a feel-good plot. It seemed to be the kind of comfort adventure anime to enjoy without a lot of emotional exhaustion or complexity. Soon retail stores and cosplayers were diving into the show’s colorful palette and fun costumes. But early on, MHA began to dig deeper into its characters’ psyches and into the problems of families and of society as a whole. In between the energetic fight scenes and inspiring training montages, the show dealt with child abuse, domestic violence, racism, and mistrust of the government. After eight seasons and a significant last episode time skip, the characters grow from optimistic children into mature, flawed, emotionally complex adults. The last episode delivered an unexpectedly thoughtful and quietly powerful ending, one which embraced both imperfection and hope in its final message that everyone can (and needs to be) a hero on some level. This full-circle moment from the first episode of the first season was a powerful way to end the saga and answer the question of what it really means to be a hero.

[Spoilers for earlier seasons] My Hero Academia is the story of a near-future version of Earth, where a genetic mutation eventually causes most humans to be born with some variation of special powers (“quirks”). Those with particularly strong powers are sent to academies to be trained as licensed superheroes (simply called “heroes”). The protagonist, Izuku Midoriya (a.k.a. Deku), is one of the few children born with no special power (quirk) at all. Not even a minor one. But he idolizes the ridiculously brash and popular number one ranked hero, Toshinori (a.k.a. All-Might), and dreams of somehow becoming a hero to fight the violent superpowered villains who plague the country. After a dangerous act of bravery, Izuku is secretly gifted a transferable superpower from All-Might, who can no longer fully maintain it due to a critical injury. Izuku now has the potential for super strength, super speed, and super agility. He enrolls in UA, the top hero academy, where he trains his body to accommodate and control the enormous and dangerous power he’s been gifted. While at UA, he builds bonds with his teachers and friendships with his fellow students, who have a range of powers, personalities, and complicated backstories. But the idealistic setup is upended when a group of superpowered villains directly attack the children at the school, leading to a long term-battle over the next seven seasons that exposes upsetting truths and pits the young heroes not just against the villains but also against society itself and their own personal traumas.

MHA starts out as a kid-friendly, colorful, inspiring hero adventure with a simplistic plot: heroes versus villains and natural disasters. In fact, the main antagonists are a criminal group simply known unironically as “The League of Villains.” But, like all good shonen, the story quickly takes an intense turn. Deku’s powerful but stoic classmate Shoto is a victim of child abuse with a disturbing backstory which involves domestic violence by his father, the number two rank hero, against his mother, who is also a hero. Deku also encounters a child, Eri, who appears to be kidnapped and abused, and he struggles to help her in the face of societal denials that anything is wrong. When the heroes lose a major battle, much of society turns against them and against Deku in particular. The country begins to question the usefulness and trustworthiness of heroes and the government. Viewers see how easily people can be manipulated when fear and distrust take over. The fantastical character design of some of the heroes turns into an exploration of racism, as Deku learns about the bigotry faced by his classmates who are heteromorphs, those whose quirks create unusual physical features. We also see Deku’s journey to physical and emotional resilience while holding on to his core values. And we see Deku’s childhood friend and antagonist Bakugo progress from a loudmouth bully to becoming a true hero who is willing to sacrifice everything.

Building on all this, the final season dives into lots of climactic emotional intensity and plenty of powerful moments, including the final critical battles against the two main villains, with Deku versus the tragic and tortured Tomura, and Bakugo versus the sociopathic All For One. The final storytelling is elevated, showing the full heroic redemption arc of former antagonist Bakugo. We also see Deku’s maturity as he faces devastating physical damage and a high cost for his choices. The animation and music are powerful, and the character design of the two final heroes is symbolic, making them look more serious, mature, and less cartoonish in a way that reflects their inner development and the intensity of this final fight for their lives. The entire UA class gets in on the action, and the final battles also provide an opportunity for cameos from prior side characters from the MHA feature films or from earlier seasons. So many familiar faces cheering on the heroes is a nice way to signal the end of the larger story.

Unfortunately, a drawback of the series has been the two-dimensional treatment of the main villain All For One. However, in the final season, through a flashback, we finally learn the full backstory of All For One (a.k.a. Zen) and his peaceful younger brother Yoichi, the original owner of Deku's transferrable power. We see how their desperate childhood led to abuse, violence, and to Zen’s obsession with power and control over Yoichi. That twisted love and obsession ultimately fueled a decades-long battle between the brothers that reshaped the fate of the heroes and the country. There is a nice symmetry in the brutal Zen having the power to take while the kindhearted Yoichi has the power to give, with those opposite concepts defining “evil” versus “good” in the series.

For a show that started out playfully, the ultimate story arc and messaging became surprisingly insightful, particularly in this final season. The perpetually optimistic Deku had dark moments in prior seasons and eventually became an outcast vigilante. In season 8, Deku again experiences significant loss, and he is forced to make peace with an imperfect reality. In an intriguing scene, Deku talks with Spinner, an incarcerated villain, who calls Deku a murderer. Instead of arguing or crying about it, Deku calmly admits that he is indeed a killer when needed. The two have an odd conversation that acknowledges their significantly different worldviews but sparks inspiration in both of them.

The final season emphasizes the need for a cross-section of people to create the world we want to live in. Not just physically powerful fighters, but also engineers, teachers, people of different abilities, and ordinary members of society, because, as the final season shows us, physical power may be flashy and fun, but it is fleeting. Eight seasons ago, MHA began with a tearful Deku asking the cliched question, Can I be a hero? In a key moment in the final episode, two random characters, an aged grandmother and an abused boy, have an interaction that answers that question: Not only can ordinary people be heroes, but they need to be. Not in flashy ways, but in small, ordinary acts of compassion and courage. In the final season, many of the former heroes have suffered irreparable injuries and are gone from the traditional arena. But in that full-circle moment with two random people, we see the way small acts of kindness or courage can literally change the world. A major theme of the show is to go beyond our comfort level to do the right thing. Hopefully, it will help all of us to better understand what it truly means to be a hero.

Nerd Coefficient: 8/10.

Highlights:

• Ultimately satisfying despite some sad moments
• Solid ending with profound messaging
• Big fights, big emotions, and quiet introspection lead to a powerful final season

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.