Nanoreviews: Films Written by Rod Serling

The casual fan of The Twilight Zone may not realize that creator and host Rod Serling also wrote a number of films throughout his too-short career. The most notable is likely Planet of the Apes, but there were several notable films he wrote that never entered the pop cultural lexicon in the same way that one did. Serling spent most of his career writing teleplays for TV dramas, but here are a trio of theatrical feature films penned by the legendary TV persona.

Patterns (1956), dir. Fielder Cook.

There is a powerful social conscience that runs through many of the episodes of The Twilight Zone, and that same sensibility is on display here in Patterns, as well, but the execution leaves something to be desired. Fred Staples, a young executive, is plucked from a lower-level position and elevated to the board of a high-power corporation. But Fred is confronted with the idea that the cold, manipulative Mr. Ramsey recruited Fred in order to force out and replace the aging Bill Briggs, who was no longer a reliable vote for Ramsey's maneuvering. As Ramsey takes Fred under his wing, it becomes clear that success at this highest of levels requires total commitment to the company above all things — above family, above morality. It's not a bad screenplay, and there are a number of unpleasant truths that it seeks to confront, but it gets lost in the direction. Most of the movie is a badly-used Everett Sloane (Mr. Ramsey) just yelling constantly. It becomes tiresome.
Score: 5/10

Requiem for a Heavyweight (1962), dir. Ralph Nelson.

Anthony Quinn gives a stunning performance as a boxer who's taken way too many to the head and takes his life in his own hands if he chooses to fight again. The movie is Quinn's — Playing Mountain Rivera — struggle to find a life outside of the ring. He gets involved with Grace Miller, a social worker or career counselor, who tries to help him identify jobs that he could possibly land and find meaning in for a new chapter in his life. Quinn brings so much honesty and pain to this guy who's never been the smartest, and must face one of two futures whose outcomes are equally unknown — one in the ring where he risks death or paralysis, or one in the straight world. A brutal, moving film.
Score: 8/10

Seven Days in May (1964), dir. John Frankenheimer.

This movie presages the string of 70s paranoid thrillers that would emerge just a few years later. Director John Frankenheimer was just coming off of a masterpiece in The Manchurian Candidate, and just a couple of years from his way paranoid sci-fi-adjacent film Seconds, which is very good. Seven Days in May feels very much of-a-piece with these other 1960s Frankenheimer films, and also feels very much anchored in Serling's respect for servicemen and distrust of those who would cavalierly send them to war. Colonel Jiggs Casey (Jiggs? I know...) gets little more than a hunch that something isn't quite right with an operation headed by his idol and mentor, General Scott, and begins digging. He quickly uncovers a number of threads that could be unconnected and lead to nothing more than usual Cold War secrecy, or to a plot to overthrow the President. It's a taught military thriller with a strong sense of human consequences and relationships. And a fantastic cast: Kirk Douglas, Burt Lancaster, Martin Balsam, John Houseman, Frederick March, Ava Gardner. You can't go wrong with this one.
Score: 8/10

Posted by Vance K — cult film reviewer and co-editor of nerds of a feather, flock together since 2012. Rod Serling fan since probably the first time he saw television.

Microreview [film]: The Invisible Boy

Oh...boy. Just, yep. I'm gonna leave the pun right there.

Forbidden Planet is an undisputed classic of sci-fi film. At the time it was produced, it was a tremendously expensive film, and a disproportionate amount of that budget went to pay for a single prop: Robby the Robot. That sure must've seemed like a good investment when the breakout star of the film was not sexpot Anne Francis, or strapping, not-yet-gray Leslie Nielsen, or even venerable actor-with-gravitas Walter Pidgeon. Nope, the breakout star was Robby the Robot.

And with good reason. Robby is amazing. Robby is better than Gort, and I love Gort. I don't even care. We can fight. So given the success of Forbidden Planet and Robby, the studio wanted a sequel, naturally. That sequel was The Invisible Boy. Now, The Invisible Boy is bonkers, so rather than write a straight review, I wanted to try something different. Here, then, is An Imagined Conversation Between Screenwriter Cyril Hume and the Producers of Forbidden Planet and The Invisible Boy.

The scene is a small, executive office on the MGM lot. A PRODUCER sits behind a mahogany desk. It's nice. Swanky digs, sure, but it's second-class fancy, for Golden Age Hollywood. The really nice offices start a floor up. But this producer's doing ok. We'll give him a cigar. Because 1956.

In walks CYRIL HUME, screenwriter. He's in a suit, also because 1956, but you can tell. It's the 1956-everybody-wears-suits equivalent of a Foo Fighters concert-T. Still, this has been the biggest year of his professional life — three hits. Ransom!, with Glenn Ford (big star), Forbidden Planet, and Bigger Than Life directed by Nicholas Ray right after Rebel Without a Cause.

PRODUCER: Cyril, baby. Have a seat. Have a seat! You want a cigar?

CYRIL HUME: Scotch and soda? Just, Scotch with a ray of sunlight that passed through a bottle of Schweppes.

PROD: That's a writer for you! I'll have my girl mix it right up for you.

He pushes a button on the intercom.

PROD: Stella, mix up a, er? Is it "Stella"?

VOICE ON INTERCOM: Sheila, sir. But keep trying.

PROD: Great. Listen, baby. I need a Scotch and soda for our writer friend, and that's Scotch with a...what was it?

CH: It's just Scotch and soda. Just...really?

PROD: That's just Scotch and soda, Shirley. In a glass. With ice, maybe.

(ANNOYED CLICK FROM INTERCOM)

CH: So...?

PROD: Right. Listen, baby. This Forbidden Planet, it's a humdinger. It's doing gangbusters. We need a sequel, ready to shoot, right away.

CH: I told you a science fiction version of Shakespeare's Tempest would work.

PROD: Whatever, whatever. This Shakespeare guy, friend of yours? If he's got other ideas, great. But listen, we need another movie with Robby the Robot, right now. Like, yesterday. Something real...science fiction-y. For the, uh, for the geeks and stuff.

CH: Yeah, that's great. Making a film on such a huge canvas was fantastic. We could explore other worlds...maybe on their way back to Earth...

PROD: You kidding me? No, they're on Earth. Jesus, that fake planet cost me a fortune. And black-and-white. Color film was a nightmare. I chewed through three pillows in my sleep just from seeing the lab bills.

CH: So...a black-and-white sequel, on Earth, to a Technicolor space tragedy that takes place 300 years in the future?

PROD: On the nose, baby! And present-day. No space cities, or future science, or none of that. Just put the robot in it.

CH: The robot won't be invented for 300 years.

PROD: Then make it come back with time travel or something. That's a thing, right? People from the future? All that?

CH: Wow, yeah. There's never really been a serious time travel film. This could be pretty amazing.

PROD: Yes! There you go! But don't spend too much time on that part. We don't want to have to build any fancy time machines, or go to other times, where the costuming...oh the costume costs, just give me an antacid. So it's now, but there's a robot from the future. Go! Oh, no wait! Listen, I got this cousin...or, second cousin? I don't know. But they got this kid, he wants to be in pictures, he's, whatever, he's kid-aged. Like, we'll say 10. Put him in it.

CH: Look, not to tell you your business, but "dogs and kids," you know? Never work with them?

PROD: He doesn't have to be in the whole thing. Just, I don't know, make him invisible halfway through and then forget about him.

Sheila enters, gives the screenwriter his Scotch and soda. It disappears in a single toss of the head.

CH: Two more, please.

Sheila cocks an eyebrow, then looks at her boss. Gets it totally. She leaves.

CH: So it's a black-and-white picture about a time-traveling robot and a little kid who turns invisible halfway through?

PROD: Solid gold. We'll call it...The See-Thru Kid! Or, something like that. As long as it's eight reels long.

CH: What if, and I'm just thinking out loud, what if the sequel to the fantastic, futuristic space picture took place in space. In the future? We could re-use the ship from the first movie, we could --

PROD: Cyril, baby. We already sold the ship to CBS, and they're going to use it in a bunch of TV shows this cat Rod Serling is making. The ship is gone. Damn, sailed. The ship has sailed. Let's pretend I didn't flub that joke, ok? Where were we?

CH: You had just put my career in a time machine and sent it backwards twenty-something years to when I was writing Tarzan movies.

PROD: Right, right. You know what else is hip these days, is computers, and aliens. I have definitely seen those words on the covers of magazines.

CH: So you want eight reels about a kid who plays with a space robot from the future, but then turns invisible halfway through, with a computer that may or may not be from another planet?

PROD: Perfect. You're a genius.

Sheila appears with two more Scotch and sodas.

And...scene.

Let me just say that our hero, screenwriter Cyril Hume, accomplished everything that was asked of him in this imagined meeting. If you think that sounds like it'll make a good movie, than The Invisible Boy is right up your alley. I will say, and this is no B.S., the movie has one of my most favorite lines of dialogue ever from any movie. I will sometimes put this movie on at home just to watch that moment. And if that's not a cult film punching above its weight, I don't know what is.

Posted by Vance K — cult film reviewer and co-editor of nerds of a feather, flock together since 2012, Emmy-winning producer, and also folk singer.

Best Sci-Fi TV of All Time Tournament - Results!

Ladies and gentlemen, here we are. You have voted by the thousands, and the results are in.

You have selected...bum-ba-ba-bum!...Firefly as the Greatest Sci-Fi TV Show of All Time!

I must confess, I'm confused. I really, really like Firefly. I may even love Firefly, and I will admit the Comic Con Firefly Reunion panel made me a little misty-eyed. but it ran for 14 frickin' episodes and a movie. I guess it really is how you use it...

So congratulations to Firefly and all you Browncoats out there who drummed up a tremendous response to every round of the voting (and managed to squeak Doctor Who). And let me say to Star Trek: The Next Generation that there's no shame in coming in second out of a strong 32-show field, especially when you totally flattened every other show you faced (including my pick, The Twilight Zone). So to you I will simply quote one of our site commenters, and say in closing "Shaka, when the walls fell."

TO VIEW THE PREVIOUS ROUNDS, CLICK HERE.

Best Sci-Fi TV of All Time Tournament Bracket (Final Round)

Guys, I have to admit I'm a little stunned. I did not see Picard and Riker unseating Kirk and Spock in the Classic side of the bracket and heading into the Finals. Sure, The Next Generation ran for much longer than Star Trek The Original Series, and sure the third and final season of Star Trek is a hot mess, but I figured if this was a popularity contest, the "logical" choice would be...well, no matter. You've spoken with your votes, and if I'm being honest, you probably made the right call about the better show. For the record, The Next Generation went gangbusters out of the gate, but Star Trek made a valiant comeback toward the end and ultimately, only 18 votes out of hundreds cast separated the two shows.

Firefly didn't surprise me this week, but I sure didn't have it getting past Doctor Who last week. Do I prefer Firefly? I do. But I'm only one man. One man with whom, in this case, thousands of people happily agree.

So here we are. The Finals. Will the scion of a long-established dynasty walk away with the crown? Or will the 14-episodes-and-a-movie upstart put another feather in the cap of Mr. Neil Young's line that it's better to burn out than to fade away? We'll soon see. Off you go!

To see the results of previous rounds, please click here.

Best Sci-Fi TV of All Time Tournament Bracket (Round of 4)

VOTING FOR THIS ROUND HAS CONCLUDED. TO VOTE IN THE FINALS, PLEASE CLICK HERE.

The Round of 8 was, without a doubt, the round with the most gnashing of teeth, and probably even tears, of any so far. For this was the round where Doctor Who faced off against Firefly.

Thousands of votes were cast (thank you, everybody), and ultimately, by only a half a percentage point, it was decided that Serenity would keep flying. (Insert wild celebration/screams of rage as you will).

Now in this Round of 4, you must face another impossible choice: Kirk & Spock vs. Picard & Riker. Is Star Trek: The Next Generation a better show than the one that begat all others, Star Trek? It's your call. But it is certain that an entry from the Star Trek franchise will face off against either Firefly or the Battlestar Galactica reboot in the Finals.

Some housekeeping: to see the results of previous rounds, click here. To review the utterly unscientific criteria used to delineate the Classic from Modern regions, check out the Round of 32 post. Many Reddit users pointed out that I had the order of the matches in the first round out-of-order, which I have consistently acknowledged, and apologize for once again. And for those of you who vitriolically demanded a larger image of the bracket, your wish has been granted.

Now, have fun, and on with the voting!

CLASSIC FINAL

MODERN FINAL

Check back next week for the Final Round!

Best Sci-Fi TV of All Time Tournament Bracket (Round of 8)

VOTING FOR THE ROUND OF 8 HAS ENDED. CLICK HERE TO VOTE ON THE NEXT ROUND.

The basketball tournaments have finished (congratulations, Connecticut men, women), but things are just heating up for us sci-fi nerds. We've reached the Round of 8 in the fan-voted poll of the Greatest Sci-Fi TV Show of All-Time. (Previous rounds here)

There are some tough matchups in these four games.* Will the Whohards and Fireflickians battle to the death to see which show is better? Or just stuff the ballot box? Star Trek: The Next Generation continued its blistering run through its region and beat my pick, The Twilight Zone, handily. I was surprised how brutally The X-Files crushed Lost (by almost 60 percentage points), but can it steamroll fan-darling Battlestar Galactica? Our top vote-getter in this round was Star Trek, but can it be upset by Twin Peaks, the little-engine-that-could who people said didn't even belong in this bracket?

All of these questions and more (or actually, just these questions) will be answered in a few days. So get voting!

CLASSIC NORTH
CLASSIC SOUTH
MODERN NORTH
MODERN SOUTH


*Reddit users once again pointed out that I goofed the order of the initial round's games. I get it, I get it. But there's not "Ctrl-Z" in life, sadly.

Best Sci-Fi TV of All Time Tournament Bracket (Round of 16)

VOTING HAS CLOSED FOR THIS ROUND. CHECK OUT THE ROUND OF 8 HERE.

The NCAA Tournament is about to resume for the Final Four games, and the results are in for Round 1 of the Nerds of a Feather Greatest Sci-Fi TV Show of All Time Bracketology Extravaganza™. If you missed the first post, the tl/dr version is I made a list of 32 contemporary and classic sci-fi shows, and completely unscientifically lumped them into regions and seedings. Then, a lot of votes came in!

There were not a lot of surprises in the Round of 32, which makes me feel like I got the initial seeds somewhat correct. As Reddit pointed out, however, I constructed the bracket wrong, and Number 1 and Number 2 seeds should not have met until the Round of 8. That's my fault. Nevertheless, I like the matchups in this round, and feel like we're going to wind up in the right place eventually, wherever that may be. Here's where we stand now:

Some cool things about the Round of 32:

• There were two upsets. Six-Seeded The Six Million Dollar Man reached out and bionically slapped The Prisoner, so it has to go back to the village, and The Fall Guy Lee Majors moves on. And Stargate SG-1, which maybe should've been seeded higher, took down Star Wars: The Clone Wars
• The top vote-getter of all entries was Star Trek: The Next Generation, followed by Firefly.
• Number Two seed Lost faced an unexpectedly tough challenge from Seven-Seeded Sliders, but most of the closest races were in the (4) vs (5) matchups.
• Every show, even the Eight-Seeds, got multiple votes

So what's going to happen in the Round of 16? Will Star Trek: The Next Generation continue steamrolling the competition, even when the competition is The Twilight Zone? Can the speculative fiction Twin Peaks make a deep run in this sci-fi bracket where some say it doesn't belong? Can a battered Lost rally and challenge The X-Files? I sure don't know, but it's up to you guys. Vote below!

CLASSIC NORTH
CLASSIC SOUTH
MODERN NORTH
MODERN SOUTH

Best Sci-Fi TV of All Time Tournament Bracket (Round of 32)

VOTING FOR THE ROUND OF 32 HAS ENDED. VOTE ON THE ROUND OF 16 HERE. 

For the second year, KPCC in Pasadena, California, has made a public radio bracket for NPR shows. Some of my favorite podcasts, like 99% Invisible and Radiolab are in it (and Radiolab might be cruising to victory), and that gave me an idea. What about a bracket for Sci-Fi TV Shows? When we put it to a vote, what would the fans decide is/was the greatest Sci-Fi TV Show of All Time?

What say we find out?

I've taken 32 shows, and grouped them into four regions, Classic North, Classic South, Modern North, and Modern South, with the four No. 1 seeds The Twilight Zone, Star Trek, Dr. Who, and The X-Files, respectively. The "modern" line was drawn somewhere around 1995, encompassing the last 20 years. It's all entirely unscientific, but hopefully fun. Participate by voting in the polls below, and every few days we'll tally the votes and the winners will advance to the next round. There's also a printable bracket so you can play along at home. Vote as often as you'd like. Painting the show's colors on your body is optional.

Let's go!

CLASSIC NORTH


CLASSIC SOUTH


MODERN NORTH


MODERN SOUTH


Happy bracketing! And if you start any office pools or anything, let us know. We'd love to hear about it.

Posted by Vance K - Cult film aficionado, unapologetic lover of terrible movies, and Nerds of a Feather contributor since 2012.

Beer and Sci-Fi Pairings

A while back, we did a Grimdark/Black Metal Pairings post that was a lot of fun, so I figured I'd try my hand at something similar, but using my Netflix account and the empty bottles on my back porch waiting to go to recycling.

So with that, I give you the Nerds of a Feather Streaming Sci-Fi and (Mostly) Craft Beer Pairings!

1. The X-Files / Guinness Stout

For a lot of people of a certain age, The X-Files marked the beginning of their love affair with sci-fi. As a show on a major network that became extremely popular, it made the pop culture radar in a big way. Maybe not since Star Wars had a sci-fi property gone so mainstream. Suddenly it was cool to be into aliens, and conspiracies, and Luke Wilson fighting vampires and stuff. In the same way, if you're used to drinking fizzy yellow pee-water that giant megacorporations laughingly refer to as "beer," Guinness can act as your gateway into a wonderful world beyond. It's ubiquitous and easy to order instead of said pee-water, and can expand your palate, opening your eyes to all you've been missing.

2. Sherlock / Fuller's ESB

All thinking people can agree that this incarnation of the Arthur Conan Doyle detective and his physician assistant has gotten the Holmes/Watson dynamic right. This British export lives up to all the hype, and makes 100+ year-old stories feel fresh and original. Another British export, Fuller's claims to have invented the ESB, and that this is the original. But despite the name, Fuller's ESB (Extra Special Bitter) isn't really all that bitter...much like Sherlock himself, once you get past his off-putting demeanor.

3. Firefly / Stone Cali-Belgique IPA

Firefly, Joss Whedon's sci-fi Western, needed to be paired with another fine mash-up. Stone's Cali-Belgique IPA dresses up Stone's regular, super-hoppy IPA with some Belgian yeast for a blending of Old and New World flavors. I actually drank one of these while watching Firefly the other night, and I can tell you it really brings out the smoky flavors in the show.

4. Fringe / Unibroue La Fin du Monde Belgian Trippel

There are two ways to look at the end of the world. One is the sort of traditional armageddony view of the world temporally and/or spatially ceasing to exist. But the other is to consider the end, or barrier, of one world and where it abuts another. Fringe's focus on parallel dimensions and the unknown brought to mind the depiction of the "end" of the world on Unibroue's signature Belgian ale as the barrier between land and sea. This is a stunning beer, and at 9% ABV, it can be just as much of a head-trip as the show.

5. The Clone Wars / Firestone Walker Wookey Jack American Black Ale

Now it goes without saying that we only endorse adults of legal drinking age partaking in any of the brews mentioned here, and the inclusion of an animated show should in no way imply otherwise. But if you're an adult who is into The Clone Wars – and you should be, since it actually lived up to the promise of the epic-sounding Clone Wars mentioned in the original Star Wars trilogy and since it made Annakin Skywalker finally seem like something other than a semi-literate dope that Natalie Portman could never, never love – then a beer called "Wookey Jack" is a natural complement.

6. Twin Peaks / New Belgium 1554 Black Lager

My first inclination was to try to find something really weird and left-of-center to pair with such a unique and wonderful show. Or maybe something brewed in the Pacific Northwest, where poor Laura Palmer met her fate. But I quickly came to my senses and realized that any beer pairing must pay tribute to The Black Lodge. Hence, New Belgium's 1554 Black Lager. This beer is derived from a recipe found in a monk's notebook dated 1554, hence the name, and it is probably my favorite brew from an across-the-board solid brewery.

Bonus: Twilight Zone / Chimay Grande Reserve (Blue Label)

Simply, the best for the best. Maybe you've got the luck or money or phone savvy or Belgian friends you need to get your hands on some Westvleteren, but that's not me. So for my money those who say Chimay Grande Reserve is the best beer on the planet will not get an argument from me. In the same way, I can make the case that The Twilight Zone is not only the best show on this list, but the best show of all time. What else could keep it company, but a peer?

Posted by Vance K – Cult film aficionado, unapologetic lover of terrible movies and good beer, either consecutively or concurrently, and Nerds of a Feather contributor since 2012.