Showing posts with label Subjective Chaos Kind of Awards. Show all posts
Showing posts with label Subjective Chaos Kind of Awards. Show all posts

Monday, November 15, 2021

The Subjective Chaos Kind of Awards: Results

Over the past almost-year, a top secret group of bloggers and fans has been plotting the most nefarious of plots: to decide, subjectively upon the best genre works of 2020, and then throw rocks at them. By "throw" we mean "lovingly post", and the rocks all have a nice message painted on them, and it's... an award? We suppose?

Yep, it must be time for Subjective Chaos Kind of Awards (SCKA) again!

SCKA last made an appearance on Nerds of a Feather at the longlist stage, when our team of epic jurors (including Adri and Sean) nominated their favourites across the seven categories. Since then, we've read furiously, narrowed each category down to a shortlist of two or three nominees, and then picked our favourite from among them. I'm therefore excited to introduce both our winners and other shortlisted works in this post: all are worthy of your consideration, so go and check them out!

Without further ado, the winners:

Best Short Story

Winner: "You Perfect, Broken Thing" by C.L. Clark (Uncanny Magazine Issue 32)

Our jury said: This is a story about an athlete competing in a Race which forces her to push her sick body to its limits to win a cure. There's a perfect blend of cameraderie between the main character and their training partners, and the desperate, unfair competition they are pushed into to survive; these are characters still fighting in the face of constant, overwhelming struggle and that's a powerful, challenging, necessary thing. 

Also Shortlisted: "Yellow and the Perception of Reality" by Maureen McHugh (Tor.com)

Adri says: These two stories rose to the top of a strong, wide-ranging ballot, but there was only ever one choice for me, and that was Clark's Ignyte winning story.

Best Novella

Winner:
The Empress of Salt and Fortune by Nghi Vo (Tor.com Publishing)

Our jury said: The Empress of Salt and Fortune is an epic tale in miniature: a mosaic of moments and manipulations that resolve into a bigger picture of rebellion

Also Shortlisted: Ring Shout by P. Djeli Clark (Tor.com Publishing)

Adri says: Our SCKA shortlists don't often overlap directly with the Hugo awards, but this pair happen to be the two I am agonising about most on that ballot too. Empress of Salt and Fortune is a well deserved winner, but this really could have gone either way.


Best Debut Novel

Winner: Legendborn by Tracy Deonn (Simon & Schuster)

Our jury said: With a young woman discovering magic at an elite school, Legendborn could have felt like we’d read it all before. Instead, the panel were impressed with how Deonn combined familiar tropes and well-known legends into something different, avoiding the obvious to deliver a tender exploration of grief and Black girl magic in a richly crafted world touching on slavery, privilege and secret societies.

Also Shortlisted: Cemetery Boys by Aiden Thomas (Swoon Reads); Raybearer by Jordan Ifueko (Hot Key Books)

Adri says: We ended up with three excellent books shortlisted from a very YA-heavy new category: I love all of these books, but Legendborn's smart, sideways take on a classic genre story set it apart.

Best Blurred Boundaries Novel

Winner: Mexican Gothic by Silvia Moreno-Garcia (Jo Fletcher Books)

Our jury said: This stylish thriller blends Gothic tropes with 50s noir and body horror. Expect modern themes of prejudice and complicity in an unapologetically creepy tale of controlling families and psychedelic fungus.

Also Shortlisted: Interior Chinatown by Charles Yu (Pantheon Books); The Bone Shard Daughter by Andrea Stewart (Orbit)

Adri says: Blurred boundaries is always a very diverse category, as "blurred" encompasses anything we think crosses lines of genre and/or style. Interior Chinatown was a great literary dark horse, and The Bone Shard Daughter brings really interesting SF elements into a fantasy setting, but it's ultimately fitting that ultra-talented genre-hopper Silvia Moreno-Garcia took this one in the end.

Best Fantasy Novel

Winners(!!)
The Once and Future Witches by Alix E. Harrow (Orbit); The Midnight Bargain by C.L. Polk (Erewhon)

Our jury said: Alix E. Harrow has crafted something truly special with The Once and Future Witches. Her prose is by turns powerful and deft of touch, and blends together fantasy, fairytale and history into a thoroughly modern classic.

The Midnight Bargain is not only a wonderful story about witches in a richly imagined Regency-style setting, but it’s a clever exploration of reproductive rights and bodily autonomy. It is a thoroughly modern and political book while masquerading as a gorgeous escapist fantasy, and that makes it a fantastic read.

Adri says: Two winners! Yep, we had a tie in our final round of voting, and while we could have gone to some sort of dramatic internal tiebreaker, instead we decided in true chaotic fashion to give out a second rock. This pair both utterly deserve it.

Best Science Fiction Novel

Winner:
The Space Between Worlds by Micaiah Johnson (Hodder & Staughton)

Our jury said: A beautiful intelligent story exploring the parallel worlds concept but also combining it with issues of racism and classism, with a core of hope running throughout.

Also Shortlisted: Goldilocks by Laura Lam

Adri says: One of my favourite things about SCKA is getting to focus on books that feel like they've been overlooked in the more mainstream awards, and both finalists here certainly fit that bill. The Space Between Worlds really pushed the envelope for me, an excellent dimension-hopping tale in a category full of space and cyberpunk and all sorts of sub-genres.

Best Series

Winner:
The Poppy War by R.F. Kuang (HarperVoyager)

Our jury said: R.F. Kuang's trilogy starts off as an academic fantasy, transforms into a military historical fantasy, and ends as a grimdark narrative. This Asian-inspired series delves into the layers and the consequences of power and warfare.

Also Shortlisted: Dominion of the Fallen by Aliette de Bodard

Adri says: Another powerful pairing - and another underrated gem, in de Bodard's Dominion of the fallen series - but in the end, it felt inevitable that The Poppy War was going to take this home. Brilliant, brilliant stuff.


Tuesday, March 2, 2021

Adri and Sean join the 2021 Subjective Chaos Kind of Awards! Intro and Nominees

Greetings, nerds! Adri here, and I'm delighted to be back with the team at the Subjective Chaos Kind of Awards (SCKA) for another year of blogger award judging! This year, we've assembled a fine jury of bloggers, booktubers and masters of squee, and I've also brought our Sean along for the adventure!

The SCKA are awards (well, kind of awards - there's no ceremony or speeches, but the trophy is a very attractive rock) given out by a group of bloggers each year for works of SFF that catch our attention, especially those that might otherwise fly under the radar of awards consideration. The "chaos" is because we are prone to changing our own rules, even when the awards are going on, not to mention 

This year, we've expanded our jury significantly, as well as adding a new category: Best Debut. The 2021 jurors are:

And, of course, Adri and Sean.

For Round 1, we've divided up the categories among the jurors and come up with a shortlist of 5-7 titles for each. Without further ado, let's unveil our selections:

Best Debut
  • A Song of Wraiths and Ruin by Roseanne A. Brown
  • Legendborn by Tracy Deonn
  • The Scapegracers by Hannah Abigail Clarke
  • Cemetery Boys by Aiden Thomas
  • Raybearer by Jordan Ifueko
  • The Year of the Witching by Alexis Henderson
Adri's thoughts: This is our new category, and its full of books I'm excited to dig into. Raybearer and Legendborn in particular have both been sitting on my TBR for a few months, so that's where I'll start with the new-to-me titles on here.



Best Fantasy
  • The Once and Future Witches by Alix E. Harrow
  • The Midnight Bargain by C. L. Polk
  • Comet Weather by Liz Williams
  • The Wolf of Oren-Yaro by K. S. Villoso
  • Black Sun by Rebecca Roanhorse
  • The House in the Cerulean Sea by T. J. Klune
Sean's Thoughts: A mix of heavy hitters and books that have flown a little under the radar. A mix of cozy reads and harrowing ones. Despite the contrast of tones, they all seem like stories with similar high-quality craft.



Best Science Fiction
  • Deal With the Devil by Kit Rocha
  • Nophek Gloss by Essa Hansen
  • The Vanished Birds by Simon Jiminez
  • Goldilocks by Laura Lam
  • The Space Between Worlds by Micaiah Johnson
  • Repo Virtual by Corey J. White
Adri's Thoughts: This is a super intriguing shortlist which crosses multiple subgenres within science fiction, from space opera to cyberpunk to post apocalyptic thriller. The Space Between Worlds is an early favourite for me, but I'm ready to dive into those I haven't read yet.

Best Blurred Boundaries
  • The Bone Shard Daughter by Andrea Stewart
  • Interior Chinatown by Charles Yu
  • The City We Became by N.K. Jemisin
  • Mexican Gothic by Silvia Moreno-Garcia
  • Harrow the Ninth by Tamsyn Muir
Sean's Thoughts: Probably the list of nominees that most jump out to me. I love when novels take risks and push the boundaries of genre fiction, and from the books on here I’ve read thus far, and the authors I’m familiar with, this is a slam dunk. Picking a winner is going to be tough.


Best Series
  • DOMINION OF THE FALLEN by Aliette de Bodard
  • ISLANDS OF BLOOD AND STORM by Kacen Callender
  • SWEET BLACK WAVES by Kristina Perez
  • THE POPPY WAR by R. F. Kuang
  • DAEVABAD by S. A. Chakraborty
  • WITCHES OF LYCHFORD by Paul Cornell
Adri's Thoughts: Ah, series, my dear sweet nemesis category. Judging series last year almost defeated me, but I love getting to grips with the longer arcs represented here, so of course I'm back for more. At least this year, it's full of series that I'm mostly familiar with, although I'm going to have plenty of incentive to finish off some of these trilogies that I haven't got to the end of yet.

Best Novella
  • Upright Women Wanted by Sarah Gailey
  • The Four Profound Weaves by R.B. Lemberg
  • Empress of Salt and Fortune by Nghi Vo
  • Riot Baby by Tochi Onyebuchi
  • Sweet Harmony by Claire North
  • Ring Shout by P. Djeli Clark
Sean's Thoughts: Novellas are terrific because it allows a writer to potentially tell a story as expansive as a novel, but devoid of fluff. These novellas do just that. Some on this list have a grand scope of worldbuilding. Some dig enormously deep into their characters’ psyche. Either way, it’s a fast but potent gut-punch.

Best Short Fiction

"Tiger Lawyer Gets it Right" by Sarah Gailey (Escape Pod: the Science Fiction Anthology)
"A Convergence in Chorus Architecture" by Dare Segun Falowo (Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora)
"In Kind" by Kayla Whaley (Vampires Never Get Old: Tales with Fresh Bite)
"Volumes" by Laura Duerr (Cast of Wonders 435)
"You Perfect, Broken Thing" by C. L. Clark (Uncanny Magazine 32)
"Yellow and the Perception of Reality" by Maureen F. McHugh (tor.com)
"Juice Like Wounds" by Seanan McGuire (tor.com)

Adri's Thoughts: No words. Just great stuff. Can't wait!


And that's the list! Check back in June for the results of our first round of judging, where we whittle down our shortlists to two finalists and start reading for the final decision...

Thursday, July 23, 2020

Adri Joins the Subjective Chaos Kind of Awards: Round 1 Results

Readers may remember that way back in February, I signed on with a group of fabulous fellow bloggers and SFF nerds on a speculative awards project: the Subjective Chaos Kind of Awards. Each member of the jury picked our favourite reads across six categories: fantasy, science fiction, blurred boundaries, series, novella and short story. Since then, we've been working hard behind the scenes to read up on each others' picks, argue about each others' tastes and occasionally lament the many and varied challenges of keeping up a consistent reading schedule during a pandemic. Eventually, we got to the point where we could give our votes for the first round - whittling each category of 7+ nominees into a shortlist of two (well, sometimes three) top picks.

Read on for our finalists in each of the categories, and my thoughts on what made me happy in each one:


Best Science Fiction

Finalists: All City by Alex Di Francesco vs. A Memory Called Empire by Arkady Martine


Thoughts: A Memory Called Empire was one of my favourites going in to this category, and despite some strong competition from other works, it remains my favourite of our space opera picks, standing out among a fun set of titles that all had something interesting to bring to the table. All City was a bit of an outlier among our finalist group, as a near-future narrative focused on the social fallout from a climate disaster in New York. It's an impressive book, although its bleak outlook makes it a tough read at the best of times.

Most of the books here were new to me, and of the non-finalists I want to particularly highlight The Outside by Ada Hoffman, with its fascinating own voices portrayal of an autistic protagonist trying to deal with intrusions of mind-bending cosmic horror in a galaxy ruled by artificial Gods. While Lovecraftian horror isn't generally my thing, I really admired the elements that Hoffman brings together here, and its a great addition to the Space Opera canon.

The Ballot:
  • All City by Alex DiFrancesco
  • Ancestral Night by Elizabeth Bear
  • Fleet of Knives by Gareth L. Powell
  • A Memory Called Empire by Arkady Martine
  • The Outside by Ada Hoffman
  • Steel Frame by Andrew Skinner
  • Velocity Weapon by Megan O'Keefe
  • Wanderers by Chuck Wendig - withdrawn due to author behaviour

Best Fantasy

Finalists: Kingdom of Souls by Rena Barron vs. The Ten Thousand Doors of January by Alix E. Harrow vs. Realm of Ash by Tasha Suri


Thoughts: This was by far the trickiest category to make a decision in, and I don't think it's an accident that it's one of the categories in which we had a tie for second place, putting three works into the finals instead of two. Both Realm of Ash and Kingdom of Souls are works that I have reviewed favourably in the past, and The Ten Thousand Doors of January (Paul's review) was another favourite of 2019 and very much deserves its place on this list. Really, though, there wasn't anything from our shortlist that I didn't feel would have deserved a position in the second round.

The new-to-me works from our shortlist were The Bone Ships by R.J. Barker and The Gilded Wolves by Roshani Chokshi, series starters which have both firmly captured my attention for future instalments.

The Ballot:
  • The Bone Ships by R.J. Barker
  • Gilded Wolves by Roshani Chokshi
  • Gods of Jade and Shadow by Silvia Moreno-Garcia
  • The Ten Thousand Doors of January by Alix E. Harrow
  • The True Queen by Zen Cho
  • Realm of Ash by Tasha Suri
  • Kingdom of Souls by Rena Barron

Best Blurred Boundaries

Finalists: The Migration by Helen Marshall vs David Mogo, Godhunter by Suyi Davies Okungbowa vs Gideon the Ninth by Tamsyn Muir


Thoughts: This category ended up covering a lot of ground, from fantasy-adjacent near future SF to urban fantasy horror to superhero romance, but Gideon the Ninth had my heart going in and it still has my heart as we enter the second round. Muir's irreverant gothic space fantasy might not be everyone's cup of tea, but it sure as hell is mine. Here, its joined by The Migration - a tricky book to recommend right now for pandemic storyline reasons, but an interesting one nonetheless - and Suyi Davies Okungbowa's action-packed, unusually structured urban fantasy David Mogo, Godhunter. Do I still have my favourite? Yeah. But knowing my co-judges, the group decision on this one is still wide open.

Of the rest of the works, the big find here for me was The Infinite Noise by Lauren Shippen, based on The Bright Sessions podcast. I hadn't listened to the Bright Sessions (and I've still only finished Season 1), but I found Caleb and Adam's story to be just the kind of sweetness I needed at a certain stage of lockdown.

  • David Mogo, Godhunter by Suyi Davies Okungbowa
  • Gideon the Ninth by Tamsyn Muir
  • The Infinite Noise by Lauren Shippen
  • The Institute by Stephen King
  • The Kingdom by Jess Rothenberg
  • The Last Supper Before Ragnarok by Cassandra Khaw
  • The Migration by Helen Marshall
  • The Strawberry Thief by Joanne Harris

Best Series

Finalists: Elemental Logic by Laurie J. Marks vs. Rosewater by Tade Thompson.


Thoughts: The series category was one of the hardest for me, both because of the range of entries, and because, you know, there's a lot of books in a series and we had 8 of them to get through. In the end, I made it through at least 1.5 volumes in each of the series under consideration, with a promise to return to most of these worlds and characters at some point. It's also just an odd thing to judge the quality of a series as more than the sum of its parts, sometimes. For example, what to make of Adrian Tchaikovsky's Children of Time - Children of Ruin duology, with a first volume that feels utterly right as a Clarke Award winner, and a follow-up that's perfectly fine, but doesn't really match the boundary-pushing quality of its predecessor? Compare that to something like the Luna trilogy, which feels like it could almost be a single volume of epic political machinations in the way it manages its tension across volumes.

In the end, we've ended up with two quite different works in the finals: the strange, slow fantasy of the Elemental Logic trilogy against the tightly plotted science fiction thriller of Rosewater. From the rest of the ballot, I especially enjoyed discovering Swords and Fire, Melissa Caruso's cosy-with-an-edge tale of magical intrigue.

The Ballot:
  • Children of Time/Children of Ruin by Adrian Tchaikovsky 
  • Elemental Logic by Laurie J. Marks
  • Empires of Dust by Anna Smith Spark
  • Luna by Ian McDonald
  • Rosewater by Tade Thompson
  • Swords and Fire by Melissa Caruso
  • The Winnowing Flame by Jen Williams
  • The Winternight Trilogy by Katherine Arden

Best Novella

Finalists: This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone vs. The Deep by Rivers Solomon


Thoughts: On the one hand, this was a wonderful category to read, with almost nothing that I didn't enjoy: even the most left-field entry here, the magical realist exploration of the Isle of Wight under Brexit that is Isabel Waidner's We Are Made of Diamond Stuff, was a total delight, albeit in an "I'm not sure what happened" sort of way. Special mention, also, to Wole Talabi's "Incompleteness Theories", and to Emily Tesh's Silver in the Wood, both excellent works of science fiction and fantasy romance respectively.  But there was only ever going to be one shortlist duo I wanted from this category, and I'm pleased to say that Team SCKA came through on this. Time War (Paul's review, Adri's review) vs. The Deep (Joe's review): let's go.

The Ballot:
  • The Deep by Rivers Solomon
  • Incompleteness Theories by Wole Talabi
  • Silver in the Wood by Emily Tesh
  • This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
  • To Be Taught, if Fortunate by Becky Chambers
  • Walking to Aldebaran by Adrian Tchaikovsky
  • We Are Made of Diamond Stuff by Isabel Waidner

Best Short Fiction

Finalists: "The Migration Suite: A Study in C Sharp Minor" by Maurice Broaddus vs "The Ocean That Fades Into Sky" by Kathleen Kayembe

 
Thoughts: I was all set to talk about the final two, but then I discovered that both of the magazine issues these come from have beautiful, complementary Julie Dillon art covers (side note: I have a print of the turtle lady and am looking forward to framing her on a wall very soon), and now I really just want to read the story about those two flying people from very different cultures coming together in a whirlwind romance that changes their societies forever. I mean, look at them. It could literally be a romance in a whirlwind. Giving you that one for free, fiction-writing readers.

But, no, these actual stories that I am actually here to talk about are great finalists, from an overall strong set of short fiction entries that ran the gamut from effective comedy pieces through to evocative flash-length vignettes through to longer pieces like our two finalists. The result is a pairing that's going to be one of the toughest choices in our second round for sure.

Ballot:

POSTED BY: Adri, Nerds of a Feather co-editor, is a semi-aquatic migratory mammal most often found in the UK. She has many opinions about SFF books, and is also partial to gaming, baking, interacting with dogs, and Asian-style karaoke. Find her on Twitter at @adrijjy.

Tuesday, February 4, 2020

Adri Joins the Subjective Chaos Kind of Awards! Introduction and Nominations


Greetings, nerds! It's Adri here, with something a little bit different. As those who follow me on Twitter may know, this year I've joined the jury of the Subjective Chaos Kind of Awards (SCKA for short): a crew of motley bloggers, podcasters and booktempters (don't ask) coming together in the name of strong bookish opinions and the handing out of beautifully painted rocks. SCKA is in its third year of running, and this year the other jurors are:

You can check out some more about the background to the awards, the people involved, and the initial rules here. The short version: the jurors have come together to select one nominee each in 6 categories from the 2019 books we read last year, thus creating a list of books that's both highly selective and still long enough for us all to go "huh, this is quite a lot of books, what have I gotten myself into?" We'll each be reading and judging in a selection of the categories over a next few months, before whittling each one down to two finalists. Finally, after a period of final catch-up and decisionmaking, we'll crown a winner, who is then bestowed with one of the most carefully crafted awards in SFF history: one of these rocks.


I though I'd done a reasonably good job of keeping up with 2019 releases, but my fellow jurors have come up with some great picks, including things that dropped off my TBR and some stuff I'd just never heard of. So, here's the shortlist, and how I'm feeling about each of the categories (if you want more list and less chat, check out KJ's post here)

Best Science Fiction




  • All City by Alex DiFrancesco
  • Ancestral Night by Elizabeth Bear
  • Fleet of Knives by Gareth L. Powell
  • A Memory Called Empire by Arkady Martine
  • The Outside by Ada Hoffman
  • Steel Frame by Andrew Skinner
  • Velocity Weapon by Megan O'Keefe
  • Wanderers by Chuck Wendig
Ouch, what a place to start. I have read just two of these books, A Memory Called Empire and Ancestral Night, and both of those are on my Hugo shortlist, so there's already a pretty high bar to clear here. I've been intrigued by both The Outside and Velocity Weapon, for a while, and am looking forward to jumping in to both of those soon, and Wanderers has obviously had plenty of buzz as well, although every time I've thought about it, I've looked at the size of it and gone "nope" - this time, I will need to read at least 100 pages for the sake of fairness, and I have no reason to think that I won't want to read further.

Steel Frame, Fleet of Knives and All City are more or less new to me, although I've heard bits and pieces about Gareth L. Powell's series and its position on the Locus list is an excellent sign. Of these, All City, a small press dystopian ecopunk novel about New York after a superstorm, is the one that's particularly calling out to me, and its one of the first things on my reading list for February. Because of the number of unread books, this is the category I'm most likely to drop in the first round if I don't think I'm going to be able to read the entire nomination list, but I'm excited enough about everything that I hope I'll make it.

Best Fantasy





  • The Bone Ships by R.J. Barker
  • Gilded Wolves by Roshani Chokshi
  • Gods of Jade and Shadow by Silvia Moreno-Garcia
  • The Ten Thousand Doors of January by Alix E. Harrow
  • The True Queen by Zen Cho
  • Realm of Ash by Tasha Suri
  • Kingdom of Souls by Rena Barron
I'm relieved to say that I don't have so much work to do here: five of these nominees are things I've read, and all of those are things I've rated pretty highly (I'd expect no less from this gang of miscreants esteemed panel, of course). I've already raved about The True Queen here, and I have similar great feelings about Gods of Jade and Shadow and Realm of Ash. The Ten Thousand Doors of January, which I read much more recently, is right up there for me as well, and Kingdom of Souls is a fascinating and inventive book. What I also love is that all four of those books are by women of colour, and all five feature PoC women leads, making this a great showcase of diverse recent fantasy which goes well beyond just shaking up medieval Europe and adding some dragons.

What does that leave for me to read? The Gilded Wolves by Roshani Chokshi will be my first experience with the author's work, though she's been on my radar for a while and I'm very much looking forward to picking this one up. My reading buddies will probably be shocked to learn I haven't read R.J. Barker yet either (unless Twitter counts), but I'm intrigued by The Bone Ships as nautical dragons are very much in my wheelhouse. This is going to be a very tough category to rank.

Best Blurred Boundaries Novel




  • David Mogo, Godhunter by Suyi Davies Okungbowa
  • Gideon the Ninth by Tamsyn Muir
  • The Infinite Noise by Lauren Shippen
  • The Institute by Stephen King
  • The Kingdom by Jess Rothenberg
  • The Last Supper Before Ragnarok by Cassandra Khaw
  • The Migration by Helen Marshall
  • The Strawberry Thief by Joanna Harris
Blurred boundaries is the place for things that either don't fit elsewhere or are too weird to be tied down! And it's another category with a lot of new things for me, including several that were barely on my radar at all. The things I have read are Suyi Davies Okungbowa's David Mogo, Godhunter, and Tamsyn Muir's Gideon the Ninth. Of the remainder, I'm particularly interested in checking out The Infinite Noise, which is apparently a tie-in with a podcast about a superhero therapist; and The Migration by Helen Marshall, which looks like intriguing biological horror. Unfortunately, I gave up on the Rupert Wong trilogy by Cassandra Khaw after the first novella, and I find her writing challenging to get into in general, but I'm ready to give it another go for the sake of Team Chaos. Likewise, I'll be diving into my second-ever Stephen King and my first-ever Joanne Harris for the sake of this category, which, if nothing else, took me into some sections of my local library that I don't usually venture into (you know, the books for normal people).

Best Series




  • Children of Time/Children of Ruin by Adrian Tchaikovsky 
  • Elemental Logic by Laurie J. Marks
  • Empires of Dust by Anna Smith Spark
  • Luna by Ian McDonald
  • Rosewater by Tade Thompson
  • Swords and Fire by Melissa Caruso
  • The Winnowing Flame by Jen Williams
  • The Winternight Trilogy by Katherine Arden
Although the Best Series Hugo is only three years old, it already feels like no awards commitment would be complete without some 9 book sagas to sink one's teeth into. For SCKA, the rule for this category is that nominators should keep series under 1000 pages across all volumes to avoid disapproving emojis from grumpy fellow jurors. That means that while most of these nominations technically fail that test, there's nothing longer than a quartet to tackle here (though it's still more novels than the last three categories put together).

That doesn't mean that there isn't a lot for me to get through here: three of these series (Luna, Empires of Dust, and Swords and Fire) are completely new-to-me, and only two (Elemental Logic and Winternight) are series that I've read in their entirety. Children of Ruin, the sequel to Adrian Tchaikovsky's Clarke-winning Children of Time, was already very high on my TBR and I hope to be reading it within the next couple of weeks, and I'm also glad to have the kick up the butt to catch up on the last two volumes Jen Williams' Winnowing Flame trilogy. I've honestly not enjoyed Tade Thompson's Rosewater trilogy as per the first two volumes (and in theory, I'm allowed to DNF the series as a whole at this point and still vote on the category) but depending on how the rest of the reading goes, I'll hopefully be able to finish it as well and see if the close of the trilogy changes my mind on the thing in its entirety.

Best Novella




  • The Deep by Rivers Solomon
  • Incompleteness Theories by Wole Talabi
  • Silver in the Wood by Emily Tesh
  • This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
  • To Be Taught, if Fortunate by Becky Chambers
  • Walking to Aldebaran by Adrian Tchaikovsky
  • We Are Made of Diamond Stuff by Isabel Waidner
Four things in this category were familiar to me on nomination, and I have a strong suspicion this is going to be one of the biggest points of overlap between our nomination list and the Hugo Awards. The two Saga press entries in particular, are spectacular pieces of work: This is How You Lose the Time War is a gorgeous emotional journey of a book, and The Deep an exploration of a fascinating mythology with a great core of community strength and suffering. Wole Talabi's "Incompleteness Theories" is the highlight of his 2019 collection, an original novella that looks at a scientific research project to develop teleportation that goes horribly wrong and becomes financially non-viable. To Be Taught, if Fortunate by Becky Chambers, didn't work as well for me, but it's still an enjoyable and thought-provoking read.

To get ahead of the game, I've already caught up on the three remaining novellas: We Are Made of Diamond Stuff is a wildcard of a story, a surrealist small press publication exploring queerness and class that's getting some literary attention in the UK. Silver in the Wood and Walking to Aldebaran are more "traditional" experiences, and while I enjoyed both, I'm particularly pleased that I got the chance to read Emily Tesh's queer rural fantasy before Hugo nominations close, as it's definitely up there with the best novellas I've read this year.

Best Short Fiction
Unlike the other categories, each jurist choosing in this category nominated two things, and the result is a really varied shortlist. I have less to say about this category than the others because even the stories I've read, I want to re-engage with before making decisions on the shortlist. However, I'm particularly happy to have two Psuedopod stories on this list, as I haven't read any of their material before, and what are awards for if not to discover cool new stuff?

So that's what I'll be doing for the next few months! I'll likely be checking in with reviews of some of the things I'm reading, and you can no doubt follow along with me and the other jurors on Twitter as we make our way through the nominees and start making the tough decisions about shortlisting...

POSTED BY: Adri, Nerds of a Feather co-editor, is a semi-aquatic migratory mammal most often found in the UK. She has many opinions about SFF books, and is also partial to gaming, baking, interacting with dogs, and Asian-style karaoke. Find her on Twitter at @adrijjy.