Wednesday, August 6, 2014

Microreview [book]: Sand, by Hugh Howey

Wool for Scuba Diving Enthusiasts!


Howey, Hugh. Sand.  Broad Reach Publishing, 2014.

Buy the e-book omnibus (when did that word stop meaning just 'bus', anyway?) edition here.

You know when you're diving, and as you sink slowly down, you feel the pressure start to build, and build, until even just 25 meters down or so, you feel a glimmer of understanding of the essential fragility of human life? Well (Hugh Howey asks), what if you could do the same thing in sand?

Meet the eponymous story. The decidedly post-apocalyptic (probably nuclear holocaust in the distant-ish past?) setting of Colorado is covered in mighty dunes, drowned in a dry ocean of sand. The pre-cataclysm world is still reachable, though, to those who have mastered the art of sand-diving, which sounds more or less like scuba diving plus some sophisticated technological telekinesis (divers 'tell' the sand to move with a thought via their special diving suits, and voila! Move it does). And (especially metal) artifacts buried under hundreds of meters of sand are beyond price (which is just a fancy way of saying they're worth a lot) in the crappy new world, which is why divers risk running out of air mid-dive and asphyxiating in the middle of a sand dune, or otherwise expiring during the tremendously dangerous course of a dive.

If this is all sounding awesome...it is, let me assure you. Howey has spun together a mesmerizing tale here, one that contains many of the elements that made the Wool series so riveting. Beyond the obvious similarities like the setting in post-apocalyptic America, there is also the sense that the main characters, as in Wool, tremble on the edge of mind-blowing discoveries about the nature of their world, and might have the tools to remake that world to be more just and equitable. (Man, it's getting hard to say anything else without dropping a tornado of spoilers all over you, dear reader!)

Naturally, there are plenty of important differences to Howey's other work. First of all, this particular story is all about a family, one that has experienced especially harsh swings of fortune from giddy heights to dismal lows, and thus one that (to paraphrase Rick!) is like every other family, only more so. Each of the siblings, as well as certain other family members, seems critically important to this still inchoate quest to right the world's wrongs (though methodologically they take less a Gandhi so much as a (for those of you who know UHF!) "Gandhi 2" approach!), and I'm quite certain we'll be hearing more about each of them in the (by this reader, at least) eagerly anticipated sequels.

As sci fi goes, Sand feels more far-fetched than Wool, in the sense that I can totally believe a) someone might someday build (assuming they haven't already!) some huge silos to save people in the event of a cataclysm, and b) that said cataclysm might someday happen, whereas with Sand, it's harder to speculate what the scientific explanation could be for why the old world's covered in hundreds of meters of sand, or the pseudo-mystical mechanism of the sand-diving suits. Does this greater difficulty in suspending disbelief negatively impact one's enjoyment of the story? Not really—after all, sand-diving is such a cool idea I'm prepared to let Howey run with the concept, however wacky, and that's partly because (in this ever-more-complicated metaphor) Howey is such a good runner! Stylistically, that is, Howey only appears to be getting even better, with great dialogue, and sporadically wonderful descriptions (sometimes of a strange and lyrical beauty, like Tolkien pared down to Hemingway-level pithiness).

So, the bottom line: is Sand worth reading? Absolutely, for anyone who has the slightest interest in post-apocalyptic fiction (and quite a wide range of others, I would imagine!). Is Sand better than Wool? Not quite, but perhaps that's just the first bite is sweetest problem: if you find a great bakery (or wherever) and sink your teeth into a fantastic cake (or whatever), better than practically anything you've ever tasted in all of cake-dom, even if the next cake from that same place is just as good or even better, how can it really compete with that first endorphin rush?

The Math:

Objective assessment: 8/10

Bonuses: +1 for scintillating storytelling and an intriguing (if improbable-sounding) premise

Penalties: -1 for the improbable-soundingness of it all

Nerd coefficient: 8/10 "Well worth your time and attention"


[I know what you're thinking: "Only an 8?" But as you can see here, an 8 at Nerds of a Feather is like a 10/10 most other places; we only go to 9 for a tiny handful of mind-blowing masterpieces, and to 10 practically never (our 10 corresponds perfectly, in fact, to Spinal Tap's 11!]

The opinions elucidated herein are solely those of Zhaoyun, sf/f nerd-junkie extraordinaire and Opinionator at Nerds of a Feather since 2013, and should not be taken to reflect the views of Nerds of a Feather's megacorporation owner (everybody's got some (corporate)body, am I right?) or its fat-cat investors, or indeed anyone else in the entire world except those rare few with the same taste as yours truly.

Tuesday, August 5, 2014

Microreview [comic]: Heir to the Empire by Zahn, Barron, Vatine and Blanchard

A comic adaptation of the "true" Episode VII


With the impending death of the Star Wars Expanded Universe, it felt appropriate to dip back in one last time and see if the prospect of absence can make the heart grow fonder. See, in my experience, most Star Wars novelizations and comic adaptations range from mediocre to objectively terrible. But back in the 1990s, a certain science fiction writer named Timothy Zahn actually penned three novels that were a lightsaber cut above. So I figured to give Heir to the Empire a re-read. Only this time I'd be reading the 1995 comic adaptation for the first time! I have i09's Rob Bricken to thank for the idea:

After the cartoons of the '80s and toyline died done, there was nothing Star Wars until Timothy Zahn's 1991 book Heir to the Empire, which rekindled interest in the movies and helped get us to where we are today. The story was about an imperial admiral named Thrawn who led the remnants of the Empire against the new Republic; it wasn't perfect, but it introduced a bunch of characters who became EU mainstays — and more importantly, it felt like the movies (sometimes, a little too much). For the best experience, read the trilogy on graphic novel — it's a Star Wars story that needs to be seen, not just read.

At the time I thought: "okay, Rob, I'll see it and read it!" But now that the seeing and the reading are done, how was it? The answer: cool and 90s and fun and very much not perfect, but still probably the best skeleton left in the Expanded Universe lichtyard.

Heir to the Empire tells the story of Luke, Leia, Han, Chewbacca and the rest some time after the events portrayed in Return of the Jedi. The New Republic is now the preeminent polity in that galaxy far, far away--though it's short on institutions and is apparently governed by an executive council consisting of Leia, Admiral Akbar, Mon Mothma and some smarmy dude whose name I can't remember. And the remnants of the Empire are still out there, licking their chops. 

Enter Grand Admiral Thrawn, a blue-skinned genius with a temperament more like Grand Moff Tarkin than Darth Vader or Emperor Palpatine. He'll use violence when it's functional and won't lose sleep about it, but he's neither a true believer in the Dark Side nor the kind of egomaniac prone to making rash or impetuous decisions. Like a good chess player, he knows the value of a good feint and is always planning several moves in advance. That's what makes him so dangerous--that and the fact that he's found these lizard-like creatures, called Ysalamiri, that are Force-deflective. So when he sets a trap for our heroes, things quickly go from bad to worse...

Heir to the Empire sits on its perch atop the pile of Expanded Universe fodder because it manages to capture everything you love about Star Wars (assuming that you, as a rational being, do at least secretly love it) while introducing new characters and situations that feel as if they fit right in. In fact, Heir to the Empire is everything The Phantom Menace should have been but wasn't: high on action, intrigue and characterization; and low on racist caricatures and kids who can't act for shit. And nearly all the new characters have depth and complexity: Thrawn and his trusty sidekick Captain Gilad Pellaeon, former Imperial assassin Mara Jade, who has it out for Luke; the roguish smuggler king Talon Karrde; and Jedi Master Joruus C'Baoth, whose motivations are always more than a little opaque.

Perfect, though, it is not, and the comic adaptation unfortunately amplifies some of its issues with pacing and combat (Imperials remain largely cannon-fodder, despite possessing better armor, training and weaponry). But in general this slice of 1990s Dark Horse goodness amps up the cinematic qualities of the original novel. In a good way. So if anticipation for Episode VII has you jonesing for some Star Wars, the comic adaptation of Heir to the Empire can give you the fix you need.

The Math

Baseline Assessment: 7/10

Bonuses: +1 for Expanded Universe content that doesn't actually suck; +1 for being oh-so-much-better than the execrable prequels. 

Penalties: -1 for the Expanded Universe is dead!; -1 for yeah but the prequels became movies and now this never will.

Nerd Coefficient: 7/10. "A mostly enjoyable experience."


***

POSTED BY: The G--purveyor of nerdliness, genre fanatic and Nerds of a
Feather founder/administrator (2012).


 

Monday, August 4, 2014

Comic Con from Afar: Third Annual Lamentation

I try to go to cons that are nearby me in Minneapolis. (Here's me with Lou Ferrigno and me in a TARDIS at the Wizard World con this year!) But I've never had the pleasure of attending the mommacon, the San Diego Comic Con. But I hang out on Tumblr a lot. So -

Welcome to the Third Annual Nerds-of-a-Feather Comic Con from Afar post, wherein one dorkly gal gathers up some cool stuff that makes her sit up and geek out from #SDCC14. This is a totally totally biased list of things I love.

ALL MARVEL, ALL THE TIME
I saw Guardians of the Galaxy last night, and it. was. freaking. fantastic. (though my sister-in-law disagreed: “Heroes in space? That’s just not believable”). So it was doubly awesome to hear that Guardians 2 is already a thing that's happening.

Some Avengers 2: Age of Ultron footage was shown, which I would give my left nut to see. Scarlet Witch and Quicksilver! They can’t call them mutants, since that would impinge on Fox’s licensing of the X-Men - even though both characters were in X-Men: Days of Future Past. You can catch a glimpse of them in this lovely retrospective from Marvel (but it's just the same brief moment from the end of Winter Soldier) :


Ant-Man too had a teaser shown, even though they haven’t even started filming.

The big panel ended with this delicious dish - Josh Brolin (Thanos) wearing the Infinity Gauntlet!!



LEGEND OF KORRA


Nick announced that Korra was moving off-air into digital-only the day before the Korra SDCC panel. Thankfully, show creators Konietzko and DiMartino helped me turn down my worry. We’ll still get all of Book Four.

WARCRAFT
The World of Warcraft movie still has more than a year of post-production, but they showed a bit of footage. Director Duncan Jones, said "We really want to make this an origin story. We want to show how the world of Azeroth falls into conflict between orcs and humans.” Well, I’ve only got one thing to say to that… For the Horde!

OTHER WONDERFUL THINGS







Of course there’s tons more stuff - Sam Raimi made more promises (this time an Evil Dead series!!), WarGames is getting remade, Firefly Online is still not here (but still using the Papyrus font), Jack Black is doing R.L. Stine’s Goosebumps movie, Mockingjay blah blah blah - but we gotta wrap up with the cosplay.

Friday, August 1, 2014

Image Expo 2014

Before the madness that is preview night and the chaos that is over 100,000 fans taking over San Diego, Image Comics held a press conference that solidified why it is a force that the big two should reckon with.  Eric Stephenson laid out very clearly why Image comics is thriving in a time when other publishers are seeing numbers fall.  He said, "[c]hange is absolutely integral to our future. Standing still didn't work for comics in the 1960s, and it's not going to work now."


Stephenson was not shy about poking fun at the big two publishers claiming that comics are creator-driven, as opposed to creator owned.  Through a brief documentary about the history of Image Comics, it is clear that comics that are truly creator-owned allow the creators to see their full vision come to life.  Editors don't have the final say, creators do.  Given this attitude, here are the three projects that I am most excited for.

Tokyo Ghosts - Rick Remender and Sean Murphy
Sean Murphy, in my opinion, is one of the best artists to grace the pages of this medium.  Seeing the brief glimpses at that art in this title is enough to get me excited, but Remender painted a picture that this title drew from titles such as Lobo and Judge Dredd.  It was a great way to open up the press conference and I look forward to this title dropping early next year.





Valhalla Mad - Joe Casey and Paul Mayberry
Inspired from a single panel from classic Jack Kirby Thor, Valhalla Mad is, according to Casey, "Gods coming to Earth, having fun, doing a little drinking." Casey poked fun and stated that Thor would not be turned into a women and lamented writing in the faux Shakespearean style that one associates with Thor.  This sounds like it is going to be one of the most enjoyable and entertaining series of 2015.




Intersect - Ray Fawkes
This title, that Fawkes is writing as painting, is said to be so out there that only Image Comics would publish it.  According to Image, "[b]odies shift and merge, warring with themselves. Blood rains from the skies. A child’s song is translated into toxic, thought-destroying whispers. Everything is changing. Everything is wrong. This is the world of Intersect."  Fawkes described it as if "Twin Peaks happened within the Black Lodge."  Sounds like an intriguing and trippy series.





What was clear through the announcement is that Image has built its business on one thing.  If you trust creative people and allow them to create, you will be successful.  Given the amazing titles, not limited to, but including Saga, Walking Dead, Revival, Outcast, Chew, East of West, and so forth, I think that it is doing something right and comics fans are the real winners.

POSTED BY MIKE N. -- comic guy, proudly raising nerdy kids, and Nerds of a Feather contributor since 2012.


Thursday, July 31, 2014

Thursday Morning Superhero: Good, Bad, and Ugly of San Diego Comic Con


I have ventured on a 1,000 mile road trip at the conclusion of San Diego Comic Con and have not been able to read a book this week.  In lieu of my usual weekly comics round-up, I present the good, bad, and ugly of my SDCC experience.  While I would have included the beer of comic con as a good, I felt that I covered that appropriately last week.  Overall it may have been the most fun I have had at SDCC in the six years I have been attending.  The biggest change in my approach was that most of my goals involved me claiming the best swag and getting some hot scoops for my four-year old daughter and my six-year old son.

The Good:
Funko Fundays - I decided to take a plunge this year and attend the Funko Fundays event.  Attendees were promised a box of fun, dinner, and some drink tickets so you really couldn't go wrong.  I was truly blown away by this experience, despite feeling like someone who stumbled into the Funko awards ceremony for dedicated fans and employees.  The event opened with the honoring of the hard core Funko fans and employees with some amazing prizes, and then turned to sheer chaos (in a good way).  I felt like I was attending the Oprah Winfrey show when everyone gets a car.  2,000 stress balls were tossed around the ballroom with varying prizes, for certain colors, prototype toys were paraded around the room in buckets and handed to fans, and the night ended with our group raising our table above our head in attempt to be deemed the rowdiest in the row to spin the big wheel.  While another table claimed that honor, each person in our group left with four unique collectibles and an evening that was as fun as it was surprising.  It was great to see how much this company cares about its collectors and how attendees were rewarded with such an amazing night.


Joe Hill - This great author made his debut in Hall H this year as he promoted the upcoming theatrical release of Horns, based on his phenomenal novel.  Daniel Radcliffe and Alexandre Aja joined Hill on stage as fans were treated to amusing anecdotes about production and exclusive clips from the film.  It looks like a breakout performance for Radcliffe and I am very much looking forward to its release.  The next day Hill joined his partner in crime Gabriel Rodriguez to answer Locke and Key questions and discuss the future of Keyhouse.  It sounds like the movie trilogy is nearing the completion of its first script and that fans of the series will be revisiting Keyhouse to learn more about its history.  It may not happen as quick as I would prefer, but I am ready to return to Keyhouse and see what Hill and Rodriguez will cook up for us next.


Skylanders Trap Team - My son had tasked me with one charge.  Return with a Skylanders Trap Team trap and learn how to get the exclusive trap that can capture Chaos (order the Dark Edition).  In order to provide enough insight for my son, I visited three off-site events, and attended the Skylanders Trap Team panel.  The panel included some amazing insights about the early production of the game, along with a costume contest that boasted over $5,000 in prizes.  I returned home a king in my son's eyes as I delivered a life trap, a poster, the Skylander figure Kick-off Countdown, a button set, and an exclusive comic.  I left feeling very good about the fourth game in this franchise and can't wait to play it with my son.

The Bad:
Camping - While SDCC made a bold move introducing a wristband system for Hall H (which seemed to work well), the twitter induced paranoia led to masses camping out each night for Hall H, the Hasbro line, etc.  While I appreciate the dedication from the hard core fans that SDCC attracts, rumors and hearsay leave many to worry too much about getting in line early enough to show you are a true fan.

Convention Floor on Sunday - What I recall being one of the slower days on the showroom floor, Sunday seemed to be the busiest day on the floor.  As I ventured down to the floor in a quest to find discontinued Legos for my son, I found myself overwhelmed by the sheer number of people roaming aisle to aisle.  While I was able to score an exclusive Equestria girl for my daughter at the Hasbro booth with no line, I quickly headed elsewhere.

The Ugly:
Zombie Walk participant hit by Car - During the Zombie Walk, which has grown each year since its inception many years back, a zombie towards the end of the group was struck by a car and suffered a serious injury that included a broken arm.  While there are varying accounts of what happened, I think the city should consider shutting down traffic on more roads in the Gas Lamp around the convention center.  It is nearly impossible to drive anyway, so why not provide more space for the masses to search out the great off-site events and visit local shops downtown.


Wednesday, July 30, 2014

INFOGRAPHIC: the Diversity Gap in SF/F Films

We all knew this was a problem, but the good folks at Lee & Low Books have visualized it for us. And making matters worse, of the 8/100 films with a non-white protagonist, 6 featured Will Smith.


Tuesday, July 29, 2014

Microreview [Comic] The Carter Family: Don't Forget This Song


Young, Frank M. and David Lasky. The Carter Family: Don't Forget This Song [Abrams ComicArt, 2012]

Sometimes, I think they make books for me. Frank M. Young and David Lasky, for example, decided I needed a comic book about the Carter Family. And I did.

The Carter Family: Don’t Forget This Song is simply a wonderful book. Part domestic drama, part historical narrative, Young and Lasky’s graphic novel is a perfect primer not only on the Carter Family—often identified among the founders of country music—but also on the early development of recording industry, in which A.P. and his wife and musical partner Sara found themselves ensnared. Their relationship is not only central to the Carter Family’s history, but their divorce was a result, in many ways, a product of the group’s success. Writer Frank M. Young weaves these two narratives together in a subtle, almost superficial manner, which I always appreciated. This is a delightfully bare story. David Lasky’s art aptly complements Young’s sparse narrative, his simple, sometimes rushed cartooning augmented considerably by full color. Full color. That’s an extra point right there.

Don’t Forget This Song moves through decades of the Carter Family’s career rather briskly, but it works. This episodic structure, which drives me crazy in biopics, was perhaps better suited to the Carter Family given the relatively undramatic nature of the group. There is never a sense that we’re missing much in the months or years that pass between chapters. Much of the book is devoted to the mundane aspects of the music industry and music-making, as well as the rural life the Carters enjoyed back home in Virginia. We really don't need that much information on A.P.'s sawmill. 

A.P. Carter, the patriarch (of sorts) of the Carter Family, is the center of Don’t Forget This Song, especially in terms of his relationship to Sara, his onetime wife and lifelong musical partner. To some extent, A.P. is typical of many musicians—head in the clouds, domestically inept, secretly mercenary. Fortunately for A.P., there was no script  for him to follow back in the thirties, not yet a Bob Dylan or even a Hank Williams, no trailblazers show him how pop stars are supposed to act. So he pretty much moped about as his marriage collapsed. A.P. was, furthermore, from another era in rural Virginia. He was a family man and a farmer. A miserable failure at both, but that was what he thought he was. Though music, or rather music collecting, was his passion, the Carter Family itself was a venture, a way to make money. Frank M. Young doesn’t necessarily treat A.P. Carter with kid gloves—he’s definitely left on the hook for the breakup of his marriage—but the reader is nevertheless left with a lot of sympathy for the old fool.

If there’s one more reason to recommend this book, it’s the actual book itself—hardbound, full color, CD included. (CD!) People judge you on the books you own. So own this, and you’ll look cultured.

I’m probably a bit biased. I like nonfiction comics. I like country music. I got Don’t Forget This Song as a gift. (And in turn bought another copy as a gift for a buddy.) All these things may have colored my reading of this, but I doubt it. Young and Lasky have simply produced a wonderful book.


The Math

Objective Score: 8/10

Bonuses: +1 for color

Penalties: Not a one.

Nerd Co-efficient9/10 very high quality/standout in its category

Read about our scoring system here. And remember, we categorically reject grade inflation!