Showing posts with label comic adaption. Show all posts
Showing posts with label comic adaption. Show all posts

Wednesday, September 6, 2023

Review: One Piece (Live Action)

A wild adventure that works for super-fans as well as newcomers seeking a break from the ordinary

One Piece is one of the traditional “Big 3” anime, along with Naruto and Bleach. Unlike Naruto, which leans heavily into intense character development, or Bleach, which deals with psychological and moral concepts, One Piece is more of an in-your-face anime with particularly bizarre characters and settings, as well as an irreverent attitude for just about everything. Eiichiro Oda’s One Piece manga has a record-breaking 500 million volumes in print. The anime adaptation began in 1999, and has over a thousand episodes and millions of loyal fans who can’t wait to see what will happen next in the twenty-four-year-old series. However, live action adaptations of anime (or any animated stories) are often difficult to execute because elements that work in animation often don’t translate well to live action. As a result, even hardcore fans of One Piece were unsure of what to expect from this new version of the story.

Fortunately, the One Piece live action series has managed to navigate the source material’s wild visuals and storytelling to create a show that will appeal to long-time fans as well as those with ambivalent feelings about the story and those who are completely new to it. Netflix’s adaptation of the One Piece manga is an ambitious and surreal journey through Oda’s world of wonder and mystery. Each storyline provides new takes on the classic journey of the iconic rubber pirate and his band of deadly misfits. A notable part of this show is the diversity of its characters, enhancing the feeling of immersion as the crew travels throughout the world. This is especially evident in the show’s main cast, which consists of actors from several different countries, all bringing their own style of acting to the show.

Summary: Luffy (Iñaki Godoy) is an enthusiastic adolescent boy in pursuit of his dream to become a pirate and to ultimately become the “king” of the pirates. To do this, he must find a hidden treasure known as the One Piece. The Marines are a multi-national government military force designed to maintain law and order. As such, they fight against, arrest, and execute pirates. Through various acts of kindness or heroism, Luffy gradually assembles a rag-tag but loyal crew to join him on his hunt for the One Piece, which is hidden in a dangerous place known as the Grand Line. Among his crew are Zoro (Mackenyu), a fierce and cynical swordfighter and former pirate hunter; Nami (Emily Rudd), a cartographer and navigator with a tragic past; Usopp (Jacob Romero), a shipbuilder with a knack for exaggeration; and Sanji (Taz Skylar), a suave chef who is talented at both cooking and fighting. Luffy calls his crew the Straw Hat Pirates in honor of the straw hat he wears—a gift from Luffy’s childhood mentor and protector, the pirate captain Shanks (Peter Gadiot). In his initial search for a map of the Grand Line, Luffy is opposed by fearsome Marine Vice-Admiral Garp (Vincent Regan), who has an unexpected connection to Luffy. He must also deal with the cruel pirate captain Arlong (McKinley Belcher, III) and bizarre pirate captain Buggy the Clown, fantastically played by Jeff Ward. Luffy is also befriended by Koby (Morgan Davies), a captive boy he rescues and who later joins the Marines.

Despite being a live action series, One Piece retains the fantastical elements from the anime and manga. Characters communicate through giant snail-phones (yes, actual giant snails). Luffy’s main superpower is his stretchy, rubber body acquired by eating a devil-fruit, which also steals his ability to survive in water (a bit of a problem for a career pirate). Buggy the Clown can pull off parts of his body and use them as weapons. The story’s main antagonist, Arlong, is a fishman with a sawfish face. The show leans into the fantastical characters while maintaining a dark undertone. This creates a balanced level of tension because the audience is never quite sure what will happen next—something that seems comic or campy may quickly turn violent or dark. Still, the show does tone down some of the over-the-top elements from the anime: Usopp has a normal face, Nami wears normal clothes (not bikini tops), Sanji is charming and flirtatious but not obnoxious. The least toned-down character is Luffy. Iñaki Godoy’s loud, childish, energetic portrayal of the main character is actually consistent with the source material, but is harder to pull off in a live action format.

Like Naruto in Naruto Shippuden, Luffy functions as the center around which other, more complex, characters orbit. He is the connecting point for Zoro, Nami, Usopp, and Sanji, all of whom have interesting backstories (played by five outstanding child actors) that lead them to join Luffy’s hunt for the One Piece. From cynical Zoro and Nami to lighthearted Usopp and Sanji, the characters take us on an adventure that feels like a journey through a grown-up version of The Wizard of Oz or The Neverending Story. ‘Grown-up’ is a key word because One Piece has significant elements of violence and oppression.

Long-time, hard core fans of One Piece should be aware that the live action series is based on the early episodes of the show and condenses or skips some storylines. After all, this is an adaptation. Many of the characters and stories are reimagined for the live action screen but still retain the spirit of the narrative.

The show emphasizes classic themes such as sacrifice, grief, and loyalty as seen in the backstories of the five main characters, each of whom has suffered a personal loss or has had someone make a profound sacrifice for them. The concept of morality is also explored through the different episodes. Nami is a cynical thief with a surprising motivation. Luffy explains that he is going to be a different kind of pirate from the violent marauders others have been. Idealistic Koby discovers the Marines have some very bad elements. Additionally, Koby’s relationship with the fierce Vice-Admiral Garp is contrasted with Luffy’s relationship to Garp as the show depicts the pressure of outside expectations versus individual determination. Koby also becomes a representative for the viewers, calling out absurdities that other characters take for granted.

Despite its flaws, the One Piece live action series will appeal to long-time fans or those who were unsure about the anime, as well as those who know nothing about Luffy and the Straw Hat Pirates. When you are ready for a break from the ordinary, One Piece may be just the wild adventure you need.

Nerd Coefficient: 8/10.

Highlights

• Wild visual effects and excellent acting

• Uneven delivery of both of the above

• Well done updates while maintaining the spirit of the source materials

• Works for both fans and newcomers

POSTED BY: Ann Michelle Harris (with help from Chris Jordan) – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.

Monday, August 1, 2016

Microreview [TV]: Preacher (AMC)

1990's artsy cult classic type of weird


Note – This review is of the TV show in isolation. I have no familiarity with the comic and have not watched any of the background Talking Preacher series.

-- mild spoilers --

Outlaw Jesse Custer has returned to his hometown in West Texas, to follow his father’s legacy as the local preacher. But you can’t always leave your past behind and, imbued with a unique power, Jesse seeks to find himself and God while saving his community.


Jesse Custer, aka Preacher
The Netflix original series Stranger Things is getting a lot of traction for its tug on the nostalgia strings of fans of 1980’s sci fi films starring groups of children riding bikes. To me, Preacher does something of the sort for the wacky and weird 1990’s cult classic films. The style is very reminiscent of early Quentin Tarantino, from artistic gore to block letters flashed across the screen.

One thing that Preacher takes some hack for is that it starts of a little slow and confusing. This is true, but to me that is almost quintessential to this 90’s cult weird feel. No one understands the opening scene of Reservoir Dogs the first time they watch it, and they’re lying if they say they do. I, like most of you I’m sure, used to roam the aisles of my local Blockbuster looking for the wackiest, weirdest, most artsy-looking gem I could find and Preacher fits right in among this bunch.


The cinematography is beautiful. One of my favorite film techniques is the artistic use of camera angles, where the stills from these shots could be framed and hung on your wall. Preacher does a great job of this and it is easy to see the homage to comic medium. This was one of my favorite things about the late 90’s anime TV series Trigun, and I’m happy to see a show today employ this technique. I think it is very underutilized now-a-days – ya know, when the kids get to walk downhill both ways in nice weather. Who am I kidding, kids don’t even go outside today, let alone walk anywhere. I digress.

Obviously, Preacher is about Christian mythology. And by mythology I mean angels and demons and the like, not the actual Religious beliefs. But it is chock full of religious philosophy too. This is another late 1990’s early 2000’s nostalgia pull – remember Dogma, Constantine (film), The Order, etc, not to mention hit books like Angels and Demons and The Da Vinci Code.

Tulip O'Hare
The acting in Preacher is superb as well. Ruth Negga’s portrayal of Tulip is breathtaking and the show really takes advantage her skill by presenting only her face on screen for a number of seconds where Negga can tell a whole emotional story through her expressions. Tulip is a bad ass character from the get go, and as the season progressed the viewers became more in tune to her motives and her relationship with Jesse. Coming off as hard and brash at first, Tulip opens up (pun not intended) once we start to learn of her past and see her caring for others. We also get to finally see Jesse crack in regards to Tulip and it is incredibly heartwarming, despite being juxtaposed with death and gore and torture and the like. I also really like how Tulip and Emily (the BAMF choir girl mom) become friends of a sort, and especially how Tulip shows compassion toward her. It’s nice to see two female characters be more than simply dueling love interests for the same man.

Cassidy and Jesse
The best dynamic in the show is either between Jesse and Cassidy, his Irish vampire of a best mate, or between Fiore and DeBlanc, the rogue angels from Heaven, I can’t decide. Jesse and Cassidy have a shared hot mess-ness about them but Fiore and DeBlanc have a sort of deep love which becomes more evident as the show progresses. Regardless, the chemistry between all of the main characters is terrific, even when they are just all sitting awkwardly at a kitchen table.

Fiore and DeBlanc
There are also a lot of characters I haven’t even touched on, like Eugene aka arseface and Quincannon the Napoleonic. All and all though, it’s the weird artsy 90’s cult film nostalgia that gets me with this one, and if you’re in to that I think you could be in to Preacher too. I mean, how can you not with the greatest fight scene ever filmed.


The Math

Baseline Assessment: 6/10

Bonuses: +1 for weird cult artsy 90’s film style, +1 for the Tulip/Emily relationship, +1 for a truly well rounded bad guy that is still very easy to hate

Penalties: -1 for the slow start

Nerd Coefficient: 8/10 “well worth your time and attention


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POSTED BY: Tia   ...aspiring couch potato and Nerds of a Feather contributor since 2014