Showing posts with label Alastair Reynolds. Show all posts
Showing posts with label Alastair Reynolds. Show all posts

Tuesday, April 16, 2024

Review: Machine Vendetta by Alastair Reynolds

Gimme the straight dope, see


Machine Vendetta is the 3rd installment in Reynolds' Prefect Dreyfus series. It takes place in the broader Revelation Space universe, which Reynolds has been developing for more than twenty years. The basic conceit is that humanity has spread out across the galaxy. Unlike other space operatic settings, in this case humans are still constrained by the basic laws of physics - most notably, the speed of light. This means that each human-settled system grows and develops in unique ways; they are only connected to each other by "light-huggers," large interstellar vessels that take years to reach each destination (and so have developed cultures of their own). 

The Prefect Dreyfus series in't a trilogy in the usual sense - where you have three books in sequence, released within a short timeframe, that all tell chapters of a single story. Rather, these are more like novels in a crime series: individual stories that don't really need to be read in sequence but contain some added value for those who choose to do so. The same goes for the series writ large: you don't need to have read Revelation Space or any of the others, but having done so will make things a bit easier, as the world building is pretty complex. That said, the Prefect Dreyfus books are a solid entry point into the Revelation Space universe, so don't be put off on starting here. 

The series takes place in the Glitter Band, a series of orbital habitats that ring the planet Yellowstone (location of Reynolds' standalone novel, Chasm City). Prefects are the Marshalls keeping order across this expanse of semi-autonomous space stations. Their organization is called Panoply, and the events of the first two books in the series (Aurora Rising and Elysium Fire) involve the challenges faced by Panoply as it tries to handle two rival - and malignant - artificial intelligences. 

The Prefect Dreyfus books are hybrid space opera and police procedurals, in that the setting is space operatic but the narrative follows an investigation. This is a form of genre mashup that I've always enjoyed - ever since I read Asimov's Caves of Steel as a teenager. But it's also a tough one to pull off - I've read plenty of books in this vein where one half the equation (the procedural or the science fictional) is half-baked and riddled with worn-out tropes. But Reynolds does it masterfully in this series, leaning heavily toward the science fictional and creating detective characters that feel appropriate to that setting, rather than 1940s tough guys in space. 

The third book, Machine Vendetta, takes place in the aftermath of an apparent terrorist attack by hyperpigs (uplifted pigs) on lemurs (uplifted lemurs). The hyperpig in question is also a prefect, which is obviously bad for Panoply. Not long after, a second prefect, Ingvar Tench, arrives and goes missing on a war-torn habitat. Are the two events connected? Senior Prefect Tom Dreyfus and his protege, Thalia Ng, are sent to investigate. 

I won't get too deep into what happens, as one of the book's great pleasures is seeing how the the investigation unfolds. But I will say this: it isn't often that the plot of a procedural - including, very much, those set in our world - surprises me in a way that feels both intuitive and parsimonious. There are no moments where the detective reveals the surprise conclusion based on information unavailable to the reader; no cliched "a-ha" moments where it turns out some rando we met setting up deck chairs in chapter 2 turns out to be the villain; nor, worst of all, a convoluted conspiracy that goes "all the way to the top." There is, of course, a conspiracy - but it actually makes sense. 

The book is also quite topical, in the sense that it extrapolates many of our fears and anxieties over artificial intelligence into a far-future setting. Overall the issue is treated well, though I would have preferred for the AI to be a bit less, well, human. 

My other quibble is that the characters are all extremely uptight, which is a reflection of Panoply's organizational culture (and the fact that they select candidates based in part on cultural fit). But it gets a little tiresome when every single one is the kind of person who would agonize over the misplacement of a salad fork, then submit themselves for punishment for this grave breach of ethics. Even the rebellious characters are like this. 

This isn't the first Reynolds book I've read, nor the first I've reviewed for this site - but it is my favorite. The prose is clean and efficient, the characters interesting, the plot moves along at a brisk pace and the world-building is rich without relying on tedious exposition. It's the kind of book that begs for a second go - and has certainly reinvigorated by interest in the Revelation Space universe. Machine Vendetta is, simply put, a thoroughly enjoyable book - one I would not hesitate to recommended for adventurous readers.  

--

Highlights

  • Crisp prose
  • Brisk plotting
  • Complex world-building that's nicely backgrounded and doesn't rely on tedious exposition
  • Could use a bit more diversity in terms of character personalities 

Nerd Coefficient: 8/10. "Well worth your time and attention." 

Reference: Reynolds, Alastair, Machine Vendetta [Orbit Books, 2023]

POSTED BY: The G--purveyor of nerdliness, genre fanatic and Nerds of a Feather founder/administrator, since 2012.

Tuesday, April 16, 2019

Microreview [Book]: Shadow Captain by Alastair Reynolds


There's something in the dying (or at-least-super-old) Earth subgenre that has always resonated with me: a storyworld littered with weird and wondrous leftovers from times so far past that people are not quite sure what to make of them. In those stories, the massive weight of history hangs over the world and makes it alien in a very specific way. There's an intriguing contrast to our own situation in history where we (at least think we) can understand everything in sight better than our ancestors ever could, and there's (as far as we know) no unrealistically advanced technology we can dig out and play with without really grasping it. What a bummer.

In his Congregation series, Alastair Reynolds transposes the core of this subgenre into space. The human civilization is millions of years old and has gone through a number of different phases known as 'occupations'. Some of them left behind strange artifacts like big skulls that can be used for communication between spacecrafts and weapons defying the laws of nature. These objects are then scavenged from artificial mini-planets or 'baubles' that are normally closed but open at certain intervals to let daring adventurers in. Small spaceship crews of relic-harvesting semi-pirates try to make a profit by rushing in and taking what they can before the baubles close again – hopefully steering clear of actual pirates who are ready to kill you and take your cargo, or worse.

It's a rich setting filled with manufactured worlds, robots, alien races, spaceships with massive sails, and a mystery around 'quoins' that are used as currency, so there's a lot of storytelling potential. Reynolds is working on a trilogy set in the Congregation, and his new novel Shadow Captain continues the story of the Ness sisters Adrana and Arafura who in the first book Revenger escaped from their home planet in order to start a life of spacefaring adventure.

It didn't go as planned, of course, and Adrana was captured by the murderous space pirate Bosa Sennen. Revenger followed Arafura who tried (and finally managed) to free her sister, losing parts of her body and personality in the process. Arafura became rather murderous herself during the course of the book and finally killed Sennen and took over her pirate ship.

In Shadow Captain, we continue from there. Now the protagonist is Adrana who is suspicious of her sister's new Sennen-like behavior. On the other hand, Adrana herself was held by the pirate who intended to transform her into the next incarnation of Bosa Sennen with the technologies of tomorrow. So, Adrana and Arafura both seem to have features of Sennen in them, and this conflict is driving the plot forward for much of the book. In addition to them not being able to trust each other (or even themselves completely), they find out that their ship is being followed by a mysterious vessel which should be impossible.

This is the canvas for Shadow Captain, and its noticeably smaller than its predecessor had. The small crew lead by the Ness sisters is confined inside their spaceship (plus the occational bauble) for the first half of the book, trying to get their hands on necessary resources, planning for the future and being skeptical of each others' intentions. This is quite different than Revenger, in which we got to see several weird worlds and plenty more action, but Reynolds is not bad with the thickening suspense either.

My main criticism is that the other crew members are quite forgettable characters and they could have been spiced up quite a bit. Adrana is probably meant to be a little more adult version of Arafura, but to me she just felt like a more passive and frankly boring character. The book doesn't really get going until they make their way to a backwater planet for supplies and treatment for an injured crew member.

Finally, there's action, weird worlds and answers for mysteries, so I guess I got mostly what I wanted. Still, there's no hyper enigmatic adversary this time (just an enigmatic one), or same kind of a clear purpose that would be driving the main character forward. I was hoping for a little more energy in the book, even if it's still definitely worth your time and will hopefully set the stage for the final book that will – fingers crossed – be swashbuckling as hell.


***

The Math

Base Score: 7/10

Bonuses: +1 for the most amazingly fascinating fictional universe in recent memory

Penalties: -1 for not living up to Revenger in some respects, -1 lack of energy here and there

Nerd Coefficient: 6/10 – "still enjoyable, but the flaws are hard to ignore"

Reference: Reynolds, Alastair. Shadow Captain [Gollancz 2019]

***

POSTED BY: Spacefaring Kitten, an extradimensional enthusiast of speculative fiction, comics, and general weirdness. Contributor since 2018. 

Monday, October 9, 2017

Nanoreviews: Revenger, White Trash Zombie Unchained, Martians Abroad


Reynolds, Alastair. Revenger [Orbit, 2017]

Revenger isn't going to be the only novel Alastair Reynolds writes in this setting, is it? I know Reynolds is saying "standalone novel unrelated to any of the others", but that can't stand, can it? There's too much going on behind the scenes, too much rich worldbuilding happening with such ease that he could tell any number of stories here and still leave a wealth of material untouched. Maybe just one more?  This is excellent science fiction with space pirates, a brutal coming of age story for two teenage girls,  and damn, this was a compelling novel. More, please!
Score: 8/10



Rowland, Diana. White Trash Zombie Unchained [DAW, 2017]

I don't know for sure that White Trash Zombie Unchained is the end for Angel Crawford's story, but if it is, Diana Rowland stuck the landing.  The spread of zombies has been controlled and deliberate up until this point, but now there's a zombie outbreak that Angel and The Tribe are trying to contain and keep humanity from discovering. Also! Zombie alligators! I've loved this series from the first book and Rowland keeps delivering one great story after another.  Rowland has raised the stakes with each novel and this is the biggest one yet. White Trash Zombie Unchained may not be the ending, but it feels like an ending and there is a real sense of closure here. 
Score: 7/10


Vaughn, Carrie. Martians Abroad [Tor, 2017]

My son is almost three years old and I have a brand new daughter and while I am more than looking forward to taking each day and year as they come and watching them grow, I am also looking forward to when they are old enough to discover and hopefully love science fiction as much as I do. I want them to discover novels like Martians Abroad to show some of the energy of science fiction and the joy that can be had reading it. Polly Newton is a perfect heroine: plucky, resourceful, willing to do what's right and also chase her dreams of being a pilot. She's out of place and on Earth for the first time in a prep school for the elite. Martians Abroad is a friggin delight.
Score: 8/10


POSTED BY: Joe Sherry - Co-editor of Nerds of a Feather, 2017 Hugo Award Finalist for Best Fanzine. Writer / Editor of the mostly defunct Adventures in Reading since 2004. Minnesotan.

Tuesday, May 17, 2016

New Books Spotlight

Welcome to another edition of the New Books Spotlight, where each month or so we curate a selection of 6 forthcoming books we find notable, interesting, and intriguing. It gives us the opportunity to shine a brief spotlight on some stuff we're itching to get our hands on.

What are you looking forward to? Anything you want to argue with us about? Is there something we should consider spotlighting in the future? Let us know in the comments!



Artist Unknown

Arnason, Eleanor. Hwarhath Stories [Aqueduct Press, 2016]
Publisher's Blurb

Hwarhath Stories: Transgressive Tales by Aliens collects a dozen Hwarhath tales with commentary by their translator. As the translator notes, "Humanity has encountered only one other species able to travel among the stars. This species, who call themselves the hwarhath, or 'people,' are also the only intelligent species so far encountered. Of course, we interest and puzzle and disturb each other... The stories in this collection were written after the hwarhath learned enough about humanity to realize how similar (and different) we are. Our existence has called into question many ideas about life and morality that most hwarhath would have called certain a century ago..."

Why We Want It: When Gardner Dozois and Rich Horton praise the collection as perhaps being "the best story collection of the year" and that it collects "some of the best stories published by anybody during the last two decades", you have to pay attention.


Cover Art by Erik Mohr

Ashby, Madeline. Company Town [Tor, 2016]
Publisher's Blurb

New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.

Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she's the last truly organic person left on the rig--making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?

Meanwhile, a series of interconnected murders threatens the city's stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa's front door. Company Town has never been the safest place to be--but now, the danger is personal.

A brilliant, twisted mystery, as one woman must evaluate saving the people of a town that can't be saved, or saving herself.

Why We Want It: A look at a dirty, gritty post-human future with the last "natural" human dealing with serial killers and navigating a future she doesn't quite belong in. Straight up - this sounds like a fascinating novel in a way that just isn't done very often and the buzz has been incredible for Company Town.


Artist Unknown

Baxter, Stephen and Alastair Reynolds. The Medusa Chronicles [Saga, 2016]
Publisher's Blurb
A sequel to Sir Arthur C. Clarke’s Nebula Award–winning novella “A Meeting with Medusa,” this novel continues the thrilling adventure of astronaut Howard Falcon, humanity’s first explorer of Jupiter from two modern science fiction masters.

Howard Falcon almost lost his life in an accident as the first human astronaut to explore the atmosphere of Jupiter—and a combination of human ingenuity and technical expertise brought him back. But he is no longer himself. Instead, he has been changed into an augmented human: part man, part machine, and exceptionally capable.

With permission from the Clarke Estate, Stephen Baxter and Alastair Reynolds continue this beloved writer’s enduring vision and have created a fresh story for new readers. The Medusa Chronicles charts Falcon’s journey through the centuries granted by his new body, but always back to mysteries of Jupiter and the changing interaction between humanity and the universe. A compelling read full of incredible action right from the beginning, this is a modern classic in the spirit of 2001 and The Martian.

Why We Want It: While we may not be too familiar with Clarke's "A Meeting with Medusa" (winner of the Nebula Award for Best Novella in 1972), but the combination of Stephen Baxter and Alastair Reynolds is an all-star pairing that cannot be missed.


Cover Art and Design by Jaya Miceli and Sam Weber

King, Stephen. End of Watch [Scribner, 2016]
Publisher's Blurb

The spectacular finale to the New York Times bestselling trilogy that began with Mr. Mercedes (winner of the Edgar Award) and Finders Keepers—In End of Watch, the diabolical “Mercedes Killer” drives his enemies to suicide, and if Bill Hodges and Holly Gibney don’t figure out a way to stop him, they’ll be victims themselves.

In Room 217 of the Lakes Region Traumatic Brain Injury Clinic, something has awakened. Something evil. Brady Hartsfield, perpetrator of the Mercedes Massacre, where eight people were killed and many more were badly injured, has been in the clinic for five years, in a vegetative state. According to his doctors, anything approaching a complete recovery is unlikely. But behind the drool and stare, Brady is awake, and in possession of deadly new powers that allow him to wreak unimaginable havoc without ever leaving his hospital room.

Retired police detective Bill Hodges, the unlikely hero of Mr. Mercedes and Finders Keepers, now runs an investigation agency with his partner, Holly Gibney—the woman who delivered the blow to Hartsfield’s head that put him on the brain injury ward. When Bill and Holly are called to a suicide scene with ties to the Mercedes Massacre, they find themselves pulled into their most dangerous case yet, one that will put their lives at risk, as well as those of Bill’s heroic young friend Jerome Robinson and his teenage sister, Barbara. Brady Hartsfield is back, and planning revenge not just on Hodges and his friends, but on an entire city.

In End of Watch, Stephen King brings the Hodges trilogy to a sublimely terrifying conclusion, combining the detective fiction of Mr. Mercedes and Finders Keepers with the heart-pounding, supernatural suspense that has been his bestselling trademark. The result is an unnerving look at human vulnerability and chilling suspense. No one does it better than King.
Why We Want It: Even though Stephen King has published something like three hundred novels and one million short stories, each new book still feels like an event. The first two novels in the Bill Hodges trilogy (Mr. Mercedes, Finders Keepers) were very good and as good as anything King has written. I don't really think of these as a trilogy, but rather a three novels which happen to share characters. They seem more contained then a trilogy.


In House Design by Saga Press

Valentine, Genevieve. Icon [Saga, 2016]
Publisher's Blurb
Suyana Sapaki survived an assassination attempt and has risen far higher than her opponents ever expected. Now she has to keep her friends close and her enemies closer as she walks a deadly tightrope—and one misstep could mean death, or worse—in this smart, fast-paced sequel to the critically acclaimed Persona.

A year ago, International Assembly delegate Suyana Sapaki barely survived an attempt on her life. Now she’s climbing the social ranks, dating the American Face, and poised for greatness. She has everything she wants, but the secret that drives her can’t stay hidden forever. When she quickly saves herself from a life-threatening political scandal, she gains a new enemy: the public eye.

Daniel Park was hoping for the story of a lifetime. And he got her. He’s been following Suyana for a year. But what do you do when this person you thought you knew has vanished inside the shell, and dangers are building all around you? How much will Daniel risk when his job is to break the story? And how far will he go for a cause that isn’t his?
Why We Want It: Because we'll read anything that Valentine writes. Icon is the sequel to Persona, a fast paced thriller where publicity is diplomacy and intrigue is everywhere.



Cover Design by Peter Lutjens

Wallace, Matt. Pride's Spell [Tor.com Publishing, 2016]
Publisher's Blurb
The team at Sin du Jour—New York’s exclusive caterers-to-the-damned—find themselves up against their toughest challenge, yet when they’re lured out west to prepare a feast in the most forbidding place in America: Hollywood, where false gods rule supreme.

Meanwhile, back at home, Ritter is attacked at home by the strangest hit-squad the world has ever seen, and the team must pull out all the stops if they’re to prevent themselves from being offered up as the main course in a feast they normally provide

Starring: The Prince of Lies, Lena Tarr, Darren Vargas. With Byron Luck. Introducing: the Easter Bunny.

Pride's Spell is the third installment in Matt Wallace's Sin du Jour series.
Why We Want It: Have you read the first two Sin du Jour novellas? You have not? Well, go read those right now and then come back. You'll thank me. To quote myself, "Matt Wallace's Sin du Jour novellas are two of the most whacked out, amazing, balls and ovaries to the wall, freakishly imaginative, gloriously wonderful stories I've read. They're friggin delights, people. You should read them." Of course we're looking forward to Pride's Spell.




POSTED BY: Joe Sherry - Writer / Editor at Adventures in Reading since 2004. Nerds of a Feather contributor since 2015, editor since 2016. Minnesotan.

    Thursday, April 28, 2016

    New Books Spotlight

    Welcome to another edition of the New Books Spotlight, where each month or so we curate a selection of 6 forthcoming books we find notable, interesting, and intriguing. It gives us the opportunity to shine a brief spotlight on some stuff we're itching to get our hands on.

    What are you looking forward to? Anything you want to argue with us about? Is there something we should consider spotlighting in the future? Let us know in the comments!


    Cover Design by Jaya Miceli

    DeLillo, Don. Zero K [Scribner, 2016]

    Publisher's Blurb

    The wisest, richest, funniest, and most moving novel in years from Don DeLillo, one of the great American novelists of our time—an ode to language, at the heart of our humanity, a meditation on death, and an embrace of life.

    Jeffrey Lockhart’s father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say “an uncertain farewell” to her as she surrenders her body.

    “We are born without choosing to be. Should we have to die in the same manner? Isn’t it a human glory to refuse to accept a certain fate?”

    These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book’s narrator, is committed to living, to experiencing “the mingled astonishments of our time, here, on earth.”

    Don DeLillo’s seductive, spectacularly observed and brilliant new novel weighs the darkness of the world—terrorism, floods, fires, famine, plague—against the beauty and humanity of everyday life; love, awe, “the intimate touch of earth and sun.”

    Zero K is glorious. 
    Why We Want It: New DeLillo. If, somehow, that isn't enough to explain why we're excited that there is a new novel from the author or White Noise, Underworld, End Zone, and Falling Man, I'm not sure what to do.


    Cover Artist: Unknown


    Hill, Joe. The Fireman [William Morrow, 2016]
    Publisher's Blurb
    From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman.

    The fireman is coming. Stay cool.

    No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

    Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child.

    Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.

    In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke. 
    Why We Want It: Joe Hill is a master at telling a gripping story that refuses to let go (hence, the gripping) and as good as everything he has published so far has been, The Fireman sounds like it could be his best novel yet. Joe Hill is not to be missed.


    Cover Design In House at Saga

    Howard, Kat. Roses and Rot [Saga, 2016]
    Publisher's Blurb
    Imogen and her sister Marin escape their cruel mother to attend a prestigious artists’ retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this haunting debut novel from “a remarkable young writer” (Neil Gaiman).

    What would you sacrifice for everything you ever dreamed of?

    Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn’t imagine how a stepmother could be worse than her mother now. As adults, Imogen and her sister Marin are accepted to an elite post-grad arts program—Imogen as a writer and Marin as a dancer. Soon enough, though, they realize that there’s more to the school than meets the eye. Imogen might be living in the fairy tale she’s dreamed about as a child, but it’s one that will pit her against Marin if she decides to escape her past to find her heart’s desire
    Why We Want It: Howard has dazzled with her short fiction in recent years. Roses and Rot is her first novel and I want to know more about how this post-grad school works and how it impacts Imogen's dreams and the sacrifice of family.


    Cover Design by Will Staehle

    Older, Malka. Infomacracy [Tor.com Publishing, 2016]
    Publisher's Blurb
    It's been twenty years and two election cycles since Information, a powerful search engine monopoly, pioneered the switch from warring nation-states to global micro-democracy. The corporate coalition party Heritage has won the last two elections. With another election on the horizon, the Supermajority is in tight contention, and everything's on the line.

    With power comes corruption. For Ken, this is his chance to do right by the idealistic Policy1st party and get a steady job in the big leagues. For Domaine, the election represents another staging ground in his ongoing struggle against the pax democratica. For Mishima, a dangerous Information operative, the whole situation is a puzzle: how do you keep the wheels running on the biggest political experiment of all time, when so many have so much to gain?

    Infomocracy is Malka Older's debut novel.
    Why We Want It: After reading Malka Older's story "Tear Tracks", we knew she was a writer to watch. Older's debut novel comes across as eerily prescient for a future where information is the true political power.


    Cover Art by Victor Mosquera

    Palmer, Ada. Too Like the Lightning [Tor, 2016]
    Publisher's Blurb
    Mycroft Canner is a convict. For his crimes he is required, as is the custom of the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer--a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away.

    The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labeling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world's population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competition is carefully managed by central planners of inestimable subtlety. To us it seems like a mad combination of heaven and hell. To them, it seems like normal life.

    And in this world, Mycroft and Carlyle have stumbled on the wild card that may destabilize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life...
    Why We Want It: A far future novel of bringing down a utopian society? Sign us up!


    Cover Art by Dominic Harmon

    Reynolds, Alastair. Beyond the Aquila Rift: The Best of Alastair Reynolds [Subterranean Press, 2016]
    Publisher's Blurb
    The Guardian called Alastair Reynolds’ work “a turbulent, wildly entertaining ride” and The Times acclaimed him as “the mastersinger of space opera”. With a career stretching back more than 25 years and across fourteen novels, including the classic ‘Revelation Space’ series, the bestselling ‘Poseidon’s Children’ series, Century Rain, Pushing Ice, and most recently The Medusa Chronicles (with Stephen Baxter), Reynolds has established himself as one of the best and most beloved writers of hard science fiction and space opera working today.

    A brilliant novelist, he has also been recognized as one of our best writers of short fiction. His short stories have been nominated for the Hugo, British Fantasy, British Science Fiction, Theodore Sturgeon Memorial, Locus, Italia, Seiun, and Sidewise Awards, and have won the Seiun and Sidewise Awards.

    The very best of his more than sixty published short stories are gathered in Beyond the Aquila Rift: The Best of Alastair Reynolds, a sweeping 250,000 word career retrospective which features the very best stories from the ‘Revelation Space’ universe like “Galactic North”, “Great Wall of Mars”, “Weather”, “Diamond Dogs”, and “The Last Log of the Lachrymosa” alongside thrilling hard science fiction stories like Hugo Award nominee “Troika”, “Thousandth Night”, and “The Star Surgeon’s Apprentice”. Spanning more than fifteen years, the book also collects more recent stories like environmental SF tale “The Water Thief”, powerful and moving YA “The Old Man and the Martian Sea” and the brilliant “In Babelsberg”.

    Beyond the Aquila Rift: The Best of Alastair Reynolds has something for every reader of science fiction, and easily meets the challenge of delivering stories that are the hardest of hard science fiction and great entertainment.
    Why We Want It: Alastair Reynolds is one of the modern masters of science fiction and space opera, and Beyond the Aquila Rift is a massive collection of his excellent and sometimes underrated short fiction. This is a must read, especially if you only know Reynolds from his novel length fiction.



    POSTED BY: Joe Sherry - Writer / Editor at Adventures in Reading since 2004, Nerds of a Feather contributor since 2015. Minnesotan.