Wednesday, September 16, 2026

Film Review: The Dog Stars

Artsy vibes in a slow-paced, post-apocalyptic search for meaning


Post-apocalyptic adventure is always in abundant supply. Shows like Paradise and The Last of Us, films like A Quiet Place and Leave the World Behind, books like Station Eleven, and even dark comedy anime like Zom 100, are among many that torment us with difficult questions and terrifying imaginations. These stories imagine contemporary society decimated and desperate, struggling to survive by using long forgotten skills. And, we have the irony of characters longing for their lost society while realizing the greatest danger, in their new devastation, is often other humans. The Dog Stars is a new film from Ridley Scott which explores this familiar territory from a slower and more character focused pace. Rather than concentrating on the typical screaming and running (which are also present), the film has long stretches of quiet memories, contemplation of the stars, and simple acts of work and fellowship. This storytelling style is appealing, at least initially, for those who want a quieter story. However, it becomes harder to sustain as the story makes unusual narrative choices.

In the near future, a pandemic has wiped out most of humanity, leaving much of society and the societal infrastructure decimated. In a mountainous area outside of Denver, Colorado, a kind-hearted young mechanic named Hig (Jacob Elordi), manages to have a comfortable, subsistence existence in partnership with a grumpy, ex-military survivalist, named Bangley (Josh Brolin). Hig is also a pilot and periodically flies his beat up small plane into the remnants of Denver to scavenge supplies and to visit his former small home to grieve his deceased wife. He also visits and supplies an extremely isolated Mennonite community whose leader (Benedict Wong) has taken in various orphans. Hig’s only connection to his former life is his dog Jasper. In the aftermath of the devastation, the greatest threat is other survivors, who Bangley nicknames “rats.” They move in mobs and attack and destroy at random. The “rats” are treated as inhuman, almost zombie-like, although they are not zombies. After a falling out with Bangley, Hig flies away in search of a mythical town called Grand Junction, hoping to find community and meaning for his life. However, a crash landing connects him to an isolated farmer, Pops (Guy Pearce), and his daughter, Cima (Margaret Qualley), a former New Yorker and med student who came home to Colorado just before the pandemic. The film follows Hig and his various companions as they search for meaning and navigate survival amidst the danger and devastation of their new existence. 

Surrounding this narrative is the rural, mountainous terrain often seen from Hig’s small plane. The slower pace is comparable to a film like Train Dreams, last year’s Oscar best picture nominee, in which an ordinary person accepts extraordinary changes with sorrow, calmness, and introspection. While Train Dreams had an ultimate message that was poignant and powerful, The Dog Stars is a journey with jarring changes in tone that make its ultimate message unclear. 

The film’s greatest strength is the powerful but understated acting of the four leads. For the most part, the story is told primarily through the protagonist Hig’s perspective. Hig is a kind-hearted hero, grieving his wife, helping orphans, and catching the eye of the farmer’s daughter. The film also connects us to Cima, Pops/Jack, and Bangley who also all feel like archetypal characters. Bangley is the angry, loner, warrior. Pops is the salt-of-the-earth protective father. Cima is the strong, attentive, caretaking love interest. All of the characters feel historical rather than futuristic. This vibe is unexpected but it does fit with the theme of society unraveling and returning to its earlier periods. Of the four leads, Cima is the closest to a contemporary character and, in many ways, is the most relatable with her longing for coffee shops and commute playlists, rather than comfortably settling into their new life of subsistence farming and isolation. The slow paced storytelling works in the first half of the film due to the understated but powerful acting of the four leads. The authenticity of the characters draws you in and creates meaningful and engaging tension.

However, as the film progresses, the narrative begins to take strange turns that undermine the original literary feel of the opening scenes. Eventually, the story starts to feel like more of an old-fashioned Western than a speculative post-apocalyptic survival film. The repeated moments of the settlers trying to fight off the uncivilized marauders start to feel uncomfortable, as if we are suddenly watching a different movie with a different theme. Then, the movie takes an even weirder turn when the group encounters “civilized” people who are equally cruel and barbaric, and are weirdly costumed in the style of the residents of the Capitol in The Hunger Games. The messaging seems to be that both “city” people and “wild” people are evil, and at some point it’s unclear who the target audience is for this story.

As someone who enjoys slower paced character exploration, The Dog Stars has a lot of appeal. Especially since the acting is excellent, and there is a bit of romance and a classic green flag hero. The theme of finding joy and community in moments of devastation is one that seems particularly resonant. However, the overall storytelling is, at times, undercut by some unexpected narrative choices and significant thematic shifts. While the story strives to be ultimately optimistic, especially in the last scenes, the thematic inconsistencies likely mean that, at the end of the film, viewers can’t help but feel uneasy, on multiple levels.

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The Math

Highlights:
  • Slow paced, post-apocalyptic journey
  • Strange and jarring thematic choices
  • Solid acting and archetypal characters
Nerd Coefficient: 7/10

POSTED BY: Ann Michelle Harris – Multitasking, fiction writing Trekkie currently dreaming of her next beach vacation.